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Malcolm Austen: But this time you clicked OK once, so you shouldn't have to click OK again.

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Malcolm Austen: So, now we come to the post-AGM discussions, for anything that anyone wants to raise. One question we have been asked to discuss is the issue of… I mean, everyone's happy about recording changes of name.

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Malcolm Austen: somehow, but is recording changes of sex actually any different? I mean.

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Malcolm Austen: Personally, I would, you know, you record on the basis of of… at birth.

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Malcolm Austen: You record the surname used at birth, or from birth, even though it's not. I have to remind myself that, in fact, there's nothing on a birth registration until recently.

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Malcolm Austen: To actually give the child a surname,

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Malcolm Austen: It's just assumed, but the same, you know, if it says boy or girl on the birth certificate, that's what you put into your database, and everything else has to be covered by notes, or events, or whatever.

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Malcolm Austen: Would anyone like to…

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Malcolm Austen: Anyone actually handled, dealt with the issue?

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Carys Faichney: Yes, I've got one, but,

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Carys Faichney: My thought was that I should be recording what that person felt they were now.

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Carys Faichney: so that it was the current information. I don't actually use that to, I don't know, extract or list birthdays or anything.

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Carys Faichney: personal I would address them with or anything. But… I felt…

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Bob Golder: meal.

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Carys Faichney: That.

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Carys Faichney: If they now felt that they were the opposite sex, then I probably ought to record what they felt they were.

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Carys Faichney: particularly name-wise, So I sort of wanted to put the one name in the

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Carys Faichney: current name, I don't know, say, you know, now Mary, but then put in brackets that… say, I don't know, double brackets, something to hide it, but to show that it was still… that it was a current…

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Carys Faichney: Is it?

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Ann .: Hmm.

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Carys Faichney: was a private knowledge, if you like, that they had been John or George or whatever.

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Carys Faichney: But otherwise it's basically got to be notes, hasn't it? Or you leave the sex, which you don't have to put the sex in, and it isn't always known, isn't it? You know, I'm leave to my unborn child, etc.

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Carys Faichney: So perhaps you don't put the sex in at all and make notes to.

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Carys Faichney: Show what's happened.

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Ann .: How would you deal with a woman marrying a woman?

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Ann .: In Pedigree.

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Ann .: I have. I have had that. I've got that in my legacy database database. But I haven't.

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Ann .: Put us into pedigree because.

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Ann .: I just am not. I'm not clever enough.

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Carys Faichney: I don't know about Pedigree because I'm actually using family historian, she admits.

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Ann .: Alright, okay.

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Carys Faichney: And you can actually… They can actually cater for that.

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Malcolm Austen: Hmm.

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Ann .: Oh, okay.

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David Sears: In so as basic as Pedigree, you could also use a nickname thing put in previously.

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Ann .: Yeah.

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David Sears: Previously Mark, now Mary, or whatever. Yes. A query, probably for Colin, as to whether there's any…

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David Sears: Objection to having same-sex.

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David Sears: marriages. I know when Pedigree came out, life was very simple, and you're either married or you weren't. Modern programs now have about, you know, up to 10 different possible relationships, and probably deal with this

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David Sears: gender issue better. Are there any inbuilt restrictions within pedigree or predatory.

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David Sears: Colin?

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Colin Liebenrood: Answer answer is I don't know, I'm afraid. Okay. I've not looked into it. I can do, but I don't.

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Colin Liebenrood: Usually, It's it's it's set up for a male and a female result.

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Colin Liebenrood: I don't know what happens if you try and do change, change the sex on one on one to the to the other. And what happens?

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Colin Liebenrood: I would have to look into it. It's not something I've followed, I'm afraid.

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Colin Liebenrood: I'll… I'll look, but not now.

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Malcolm Austen: Yeah, I mean, I think that… that… I mean.

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Malcolm Austen: Some of it, I feel, is

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Malcolm Austen: In terms of history, it's a shame that,

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Malcolm Austen: the… in GEDCOM and the way most family history programs are structured, they… they hold marriage data, whereas, really, it should be just, sort of, relationship data, you know, pairing data, or whatever you like to… okay, maybe if you're… if you…

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Malcolm Austen: if you're a Mormon and have three wives, then maybe pairing's not the right word. But, you know, it's… it makes an assumption about marriage which is no longer valid, and… And the options don't sit comfortably always with the word marriage, but.

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Malcolm Austen: I mean, the… the issue… the recording of gender changes is,

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Malcolm Austen: difficult, I think, you know. I think it can only… there is no way of doing it other than in notes. I don't think any… any family history program that I know of allows it to change in the course of

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Malcolm Austen: someone's lifetime. Oh, here comes Simon in the…

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sheila jelley: But the nick if you use the nickname, it then comes up when you've got that person's things, whereas the notes, you know, don't always come up, you know, when you're looking at a tree.

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sheila jelley: The nickname would be shown, wouldn't it?

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Malcolm Austen: Welcome, Simon.

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Simon Davies: Hi, Ann.

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Simon Davies: I don't know why my video is not showing.

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Malcolm Austen: The AGM itself is out of the way. We are just discussing the, well, I mean, the…

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Malcolm Austen: Two questions have been… it's been generalized a little bit with the… it started with the question of gender reassignment, but also about the general fact that not all family history programs cope with

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Malcolm Austen: You know, they are based on marriages between a man and a woman, and, you know.

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Malcolm Austen: And how easy is it to record where

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Malcolm Austen: Both are of the same gender.

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Malcolm Austen: I think some programs probably make it easier than others.

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Simon Davies: you.

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Malcolm Austen: But yes, sorry, we are just we are recording this mainly so that we can hopefully produce some notes, some

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Malcolm Austen: Summary for putting into our newsletter,

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Malcolm Austen: It's not for publication, it's just for…

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Malcolm Austen: Making the, life of someone's life easier in producing.

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Malcolm Austen: some notes.

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Malcolm Austen: Do you have any views on either recording

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Malcolm Austen: Gender check reassignment, shall we say, or…

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Simon Davies: I think that the main challenge actually is charting relationships, like, because it's driven off married names.

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Simon Davies: So I think it's a broader…

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Simon Davies: Challenge in how to… how to group people, which you kind of have, actually, with situations like.

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Simon Davies: Spanish surnames, some Scandinavian names.

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Simon Davies: I mean, we have a… we put down partners

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Simon Davies: And we call them significant others, so we don't specify the gender.

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Simon Davies: But Gedcoms do group families based on paternal

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Simon Davies: Surname, and really there needs to be…

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Simon Davies: We haven't fully addressed it yet, but there needs to be a way to ignore that.

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Simon Davies: Not really.

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Malcolm Austen: Yeah, it's…

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Simon Davies: I mean, I've got my cousin's daughter.

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Simon Davies: As a same-sex married partner.

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Simon Davies: And it's been interesting putting them in and their decision on surnames.

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Simon Davies: And the other thing is, I mean, increasingly now,

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Simon Davies: women stay known by their maiden name, even after they're married. I mean, my wife.

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Carys Faichney: About 50 years ago, it was a bit trendy then, but.

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Simon Davies: Okay.

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Ann .: Always in Scotland.

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Carys Faichney: Yes.

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sheila jelley: Lovely Scotland.

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Simon Davies: So I think the fundamental challenge is just keeping track of the relationships and family groupings.

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Simon Davies: Which I think is eminently doable, it's just all a bit traditional at the moment.

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Malcolm Austen: Yes.

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David Sears: And I guess this comes up with DNA as well, because, again.

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David Sears: The biological relationships may not be the same as the documented.

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David Sears: Family tree relationships, and, you know, that's another whole set of problems, which…

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Malcolm Austen: I mean, yeah.

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David Sears: Much more common, frankly.

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Simon Davies: Was it Nick Barrett? That's some talk of his. He was saying the last.

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Simon Davies: The last whatever years have been all about.

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Simon Davies: Finding the records to…

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Simon Davies: chart out your family history, and then the next X will be working… period of time with DNA will be working out how much it is actually true.

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Malcolm Austen: Yeah.

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Simon Davies: I met this guy from this Scottish Gordon family in the sort of one name study Gordons and the

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Simon Davies: somewhere in the background there's some Laird Gordon, that no one knows if they're related to or not, and they've been asking him to do a DNA test, and he's refused. Well, of course he's refused. I mean, if you think about the aristocracy, they all interbred, and they find out that he wasn't a Gordon.

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Malcolm Austen: Why would you want to do a DNA test when you've got Burke's peerage or et cetera? Prove to prove who you are.

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Simon Davies: I wonder about that Josh Riddicombe on Who Do You Think You Are?

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Simon Davies: And he tracked himself back to.

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Simon Davies: Amberlynn's sister.

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Simon Davies: And they pointed out, well, Anne Boleyn's sister was a mistress of Henry VIII.

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sheila jelley: Yeah.

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Simon Davies: And all the aristocrats slept in amongst each other so that it didn't really, it's inconsequential whose the child was. They were still brought up within whatever noble family. So he could easily be descended from Henry VIII, you just never know.

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Ann .: you.

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Malcolm Austen: Unless…

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Simon Davies: I'm descended from Henry, I've just decided.

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Malcolm Austen: Yes.

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sheila jelley: He definitely wouldn't have his DNA done, would he?

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Ann .: What was it?

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Ann .: out of the cupboard, then you can't get it back in again.

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Simon Davies: the.

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Malcolm Austen: No.

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Malcolm Austen: Yeah, so I think the answer is that there is no simple answer to,

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Simon Davies: you.

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Malcolm Austen: We haven't yet, family history programs still, or family historians are still having some

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Malcolm Austen: Debate or difficulty with recording,

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Malcolm Austen: Same-sex relationships in family trees, let alone recording changes of gender.

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Malcolm Austen: And I was just thinking, sort of, while you were talking, I'm not sure that it's even true to say that nowadays, with the way these things are working, it's probably not even true to say that someone's mother must have been female at birth.

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David Sears: No.

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Malcolm Austen: Okay.

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Malcolm Austen: Yeah, so, hmm, I don't think we're going to have an answer to this that's really… other than just recording it in notes, making sure they're private where appropriate.

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Malcolm Austen: The question, I suppose, is on personal preference, will be whether it's

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Malcolm Austen: The change that is to be kept as a private note, or whether it's the original fact that's going to be kept as a private note.

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Ann .: 1.

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Michael Hulme (Shrewsbury): Malcolm. Some years ago, I found an entry in a family Bible where a child had been born

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Michael Hulme (Shrewsbury): And was possibly a stillbirth, or had died within minutes or hours of birth.

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Michael Hulme (Shrewsbury): But in the family Bible, it just recorded the fact that there was a birth. So at that stage, I didn't know whether it was male or female.

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Michael Hulme (Shrewsbury): So I had to record the child without a name and without a sex.

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Michael Hulme (Shrewsbury): And then eventually, some months later, I actually found a birth certificate for the child, which told me, whether it was male or female, so I could then go back

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Michael Hulme (Shrewsbury): Into the entry, and edit it to put the sex of the child in.

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Malcolm Austen: Yeah, I…

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Simon Davies: I need to say hello to Michael. How you doing, Michael?

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Michael Hulme (Shrewsbury): Hi.

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Simon Davies: Shropshire man.

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Malcolm Austen: It's probably easier to leave something as unknown when recording than it is to.

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Malcolm Austen: Record it in different states at different times.

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Carys Faichney: you.

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David Sears: And you can do that in some other programs. It gets flagged up as an error, but

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David Sears: Well, yeah, you can do it.

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Malcolm Austen: Yeah.

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Malcolm Austen: Mmm.

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Simon Davies: I'm.

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David Sears: Malcolm.

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Simon Davies: how.

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David Sears: Could I ask a take-home question before we move on?

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Malcolm Austen: Yeah.

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David Sears: Actually, this is how to solve a problem. And it's addressed to Colin, basically.

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David Sears: Colin, you and I were corresponding about 5 years ago about my particular databases.

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David Sears: Which date back to 1989.

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David Sears: where I changed the format, and that has made it difficult to move into Elton format, and that in turn has made it difficult to export decent

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David Sears: Good, cool.

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David Sears: I would like to return to this topic. What's the best way of doing that? Do I go to Pagel or do I contact you directly?

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David Sears: I'll plug out.

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Carys Faichney: I'll try Pug L because I've done that.

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Carys Faichney: I had… my database was.

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Carys Faichney: different. Yeah. Basically, I created a dummy… some… a dummy family that had got every field in that ever I used, exported that bit as GEDCOM, and then imported it into various… whatever I wanted to use, and see which bits weren't recognized, and what I had to change.

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Carys Faichney: Because you can change what, the program is saying as the, you know, the GEDCOM tags can be changed.

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Carys Faichney: If you've got the GEDCOM 5 version, it might not be based on Elton 55, but can you export as a GEDCOM 5 from it?

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David Sears: No, I can't get into Alton at the moment.

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Carys Faichney: No, it's not necessarily Elton, but is your database compatible with…

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Carys Faichney: GEDCOM 5, can you… is one of your export options a GEDCOM 5, or is it older than that and you left it?

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David Sears: Get comfortable.

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Carys Faichney: Okay.

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Carys Faichney: Hmm.

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Carys Faichney: Export it and re-import into a GEDCOM 5, I suspect, then.

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Malcolm Austen: Sounds like the…

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David Sears: I lose a lot in the process. Yeah.

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Malcolm Austen: It sounds like…

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Malcolm Austen: Piece for Hannah for the newsletter, for someone to go back and dredge out the advice from the past on this from.

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Carys Faichney: Hmm.

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Malcolm Austen: Yeah, Annals and Archives of Pug L.

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Malcolm Austen: Wow.

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Michael Hulme (Shrewsbury): I have the same problem, actually.

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Malcolm Austen: Hmm.

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Carys Faichney: It can be done, but it might not be quick and easy. I think it's probably the answer.

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Michael Hulme (Shrewsbury): Maria offered.

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David Sears: Yeah.

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Michael Hulme (Shrewsbury): me to send him a copy of the database, which I did, and I got the reply back sorry, it's too complicated.

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Carys Faichney: Oh.

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Carys Faichney: Oh.

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Malcolm Austen: Ha ha ha.

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Malcolm Austen: Yeah.

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Ann .: Same thing as well, really.

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Ann .: Cause.

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Ann .: The database with my mother's line in it.

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Ann .: And.

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Ann .: It's a bit different, and I have never… I…

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Ann .: I haven't managed to access it for a long time.

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Ann .: So… and I'm not brave enough to try and fix it.

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Ann .: I had to sing the Judge Compile or something.

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Malcolm Austen: Yeah.

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Ann .: That's… Anyway.

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Ann .: So if somebody could fix, you know, have a, have an article that helps, talks about fixing, that would be helpful.

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Simon Davies: So, one thing you could try is actually AI. So,

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Simon Davies: So GEDCOM 4 has fields that aren't recognized in GEDCOM 5, right?

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Simon Davies: You,

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Simon Davies: If you had a private account, you could literally put that in there and say, can you convert this to 5.5.1? And it would give a decent go, and it would give you an audit of what it had done.

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Simon Davies: What I'm picking up here, I just did a little query on it. It's saying that where the fields in GEDCOM 4 don't exist, it would need to create custom fields in the GEDCOM 5, but it would give you an audit of

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Simon Davies: where it had done that. But that'll take you, like, 20 minutes.

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Carys Faichney: I.

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Simon Davies: If you want to send me a chance.

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Ann .: the.

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Simon Davies: Send me a call, I'll do it for you.

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David Sears: Sorry?

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Carys Faichney: Oh.

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Ann .: An article on how to do that would be.

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Ann .: Revelatory.

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David Sears: Ha ha ha ha yeah.

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Simon Davies: I mean, David, in all seriousness, if you want me to try it, send me the JudgeCom, and I'll see what it comes back with, and then if it does work, then you can…

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Simon Davies: Have an article on how… what happened.

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Simon Davies: Up to you.

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David Sears: That's an offer we can't refuse, I think.

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Malcolm Austen: run.

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Ann .: Yeah, and if David doesn't, then I'll be quite behind him, fast behind him.

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Simon Davies: At the end of this, if you email it to me now, at the end, let's do it together.

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Simon Davies: It won't take long, we'll do it live on… On camera. Blue Peter.

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Simon Davies: Mmm.

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Ann .: Oh, and I have to go… sorry, I'd have to go upstairs and put my computer together.

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Simon Davies: Together? Why, is it lying in bits?

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Ann .: Yeah, it's been lying in bits since I bought it, had it re… I knew one built in March.

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Carys Faichney: Brilliant.

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Malcolm Austen: Right.

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Malcolm Austen: Well, there's an offer. Well.

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Ann .: There is an offer.

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Malcolm Austen: Sounds like a moment now to,

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Malcolm Austen: pass the floor over to Simon. I hope you don't mind us continuing to record, just to make it easy to construct something

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Malcolm Austen: some summary for the newsletter, Simon.

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Simon Davies: No, of course not, no.

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Malcolm Austen: Fine, let's pass the floor over to Simon now. I can't remember how we're set up here. I think, anyway, I will make Simon a co-host, just to make sure that he can share his screen where he wishes to.

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Malcolm Austen: us

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Malcolm Austen: So Simon is going to tell us about we are.xyz.

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Malcolm Austen: Which is his baby, so to speak.

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Malcolm Austen: Actually, I think it's a bit older than the baby. It must be at least reached adolescence by now, surely.

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Simon Davies: It's a difficult child.

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Malcolm Austen: Right.

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Simon Davies: Okay, have I got share? I'll,

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Malcolm Austen: You should be able to share. Yeah.

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Simon Davies: First thing you notice, I managed to get your logo. I hope you appreciate that. Took me…

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Malcolm Austen: Look at that.

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Carys Faichney: Okay.

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Simon Davies: minutes

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Simon Davies: Yeah, great, okay, so I'll take you through this platform that we've got, weare.xyz. Got this rather nifty title, Give Your Past to Future, which can mean all sorts of things, but fundamentally.

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Simon Davies: We're about preserving, all our stuff, all our family history, and going beyond just the data, and a GEDCOM file that's building on top of that. And I'd say our real essence is we're a technology company, so we're a bunch of technical innovators and entrepreneurs.

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Simon Davies: And why, that's it. I happen to have turned my skills and experience to family history because I love it. I'm a massive family historian, and it just occurred to me that it's an imperfect world for preserving stuff and going forward, not least because to really preserve stuff.

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Simon Davies: The platforms that are on, and by the way, I don't subscribe to just one platform. I mean, to maximize the probability of stuff surviving, you need it, you know, physical.

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Simon Davies: hard… all over, really, but we're trying… we've aimed to come up with something that should sustain and engage people into the future, but the company needs to stay innovating, because what happens is the innovations run ahead of what you did in the past, and…

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Simon Davies: really, the…

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Simon Davies: the first wave of genealogy software, of which you're very familiar, obviously, with your own, what you've been using, etc. It was quite unfortunate, because it was very innovative technology in.

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Simon Davies: in genealogy late nineties into the 2 thousands. But consumer technology at the time had not got into the phase of realizing what it was making would become redundant, and you needed to make it transfer upgradable, migratable to the next

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Simon Davies: technologies that come along. And that's largely been solved now, especially with online services. Like, so our platform sits on Amazon Web Services, as do

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Simon Davies: majority of major systems around the world. It's either that or Google Cloud or Microsoft azure.

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Simon Davies: And they're fundamentally upgrading all the underlying systems, the security, the database containers, the da-da, and leaving you to innovate on top with your product and service.

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Simon Davies: Such that it won't become redundant.

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Simon Davies: But you can never say it won't ever, and you need to keep in touch, and you know, we've got the AI revolution coming along now, so our company's mission is to always be at the vanguard of innovation that makes our stuff

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Simon Davies: digestible and interesting. That's a bit too much of a ramble, but I hope that makes sense. A little bit about myself. I was born in the village of Little Shelford, Cambridgeshire.

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Simon Davies: My wife's from Texas, got two kids.

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Simon Davies: 18 and 20, they've just sort of left. I'm an empty nester, and I'm desperately sad about it. And, as I said, a product designer, tech entrepreneur.

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Simon Davies: I started a business with some brilliant Israeli guys back in 2,008, and we made this cloud computing thing to put apps on the old mobile phones, and that grew to 42 million people. And it's now part of Facebook.

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Simon Davies: Sadly they weren't as wealthy as they are now, so I still live in my last little terrace house in West London, but it was a wonderful experience of

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Simon Davies: just the fact that you can make something profound that will be used by a lot of people. And that's exactly what we're doing here again. Shropshire Family History Trust.

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Simon Davies: Family History Society trustee, as Michael will know, and very much in my nature, and I'm a Thames mudlarker, and that's my foreshore permit. If you go to All About That Place, I did a video on mudlarking down at Hammersmith Bridge.

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Simon Davies: Where, in 1916, the local printer. There was a local printer, Emery Walker and Chobden Sanderson.

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Simon Davies: Anyway, they developed this typeset called Dove Type.

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Simon Davies: and these typefaces were very valuable. It was a real bit of IP for a printer, and they disputed ownership, and the older of the 2 was ordered that when he died he had to bequeath it to the other one.

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Simon Davies: Instead, he went on to Hammersmith Bridge and chucked it all off. A whole ton of metal. All the punches, the matrices, the moulds, 170 trips he made at night, dropping it over the edge of the…

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Simon Davies: Anyway, I've done the video of that story and all about that place. And I went down to the river, and you can see all the and it's because it's starting to come up. Mudlarkers are finding these these punches. It's brilliant.

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Simon Davies: I went down there to video the other day, I didn't find one. I found a bunch of cash machine wireless cards readers, so it wasn't so exciting. Anyway, that's my latest little…

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Simon Davies: fully like passion. And then that is a scissor tail firecatcher, that's a nod of the head to my Oklahoman relatives, and Kevin the drone there. I love sending Kevin up over the rural Shropshire countryside. Michael, I send it down, down over Lidbury North, around there, and…

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Simon Davies: down Montgomery way, the Vale of Montgomery, where my ancestors were, just so you can get a view of where they I went to. You know, Clan Dussel, Michael, down near Montgomery.

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Michael Hulme (Shrewsbury): No.

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Simon Davies: There's a little village down there, nestled away, where my great-great-grandfather and mother lived and farmed, and I found their grave in a deserted graveyard, like the church disappeared in 1860. Came in the drone, took off from the grave, looking down, and then he flew over to where their farm was, and over the fields.

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Michael Hulme (Shrewsbury): Ugh.

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Simon Davies: And then I compared that with the tithe map. It's just a wonderful way of bringing stuff to life, anyway.

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Simon Davies: Okay, so I'm going to talk about what it we are is, we've talked about, we're going to talk about the challenge we're solving, why I think it works, and then we'll have a demo.

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Simon Davies: But I'll zip through it. So…

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Simon Davies: as I say, it's an archive builder, and it's about persisting across generations. We have a family archive.

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Simon Davies: sort of module, I suppose. You can do a one-place study module, you can make blogs. The blogging is sort of integrated, so you can… from your article… from your archive, you, like, hit a button and it goes into your blog.

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Simon Davies: Because blogs are a great way of communicating and broadcasting a piece, and maybe even from a private archive, but you really want that information then indexed and categorized properly within an archive.

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Simon Davies: And we're on our way… at the bottom, I sort of say we're an online community for lovers of family history and nostalgia, so one of the mechanisms in there is a sort of community

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Simon Davies: sort of wrapper in which you can communicate with other genealogists, but also you can create groups.

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Simon Davies: So, if you think about, you create an online family archive, it's a bit like a museum. So, people can go in from time to time, but you're not going to spend… your relatives aren't going to spend their life going in and out of it. So, if you have a connected online family group, and every now and again you share something interesting.

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Simon Davies: it, and it notifies your family, and they come in. They look at that. It means you can keep a regular. You can build awareness that they have this archive. And that's really, that's really big. Part of this is building the awareness, I might say, on the next one.

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Simon Davies: Trying to challenge yourself.

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Simon Davies: building awareness that they have a family archive. I think I say that I'm totally getting out of order in these slides. But

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Simon Davies: if you think about it, we have a national archive, and we know we have the right to go to the National Archive. Whether, you know, what, 5% of the population may go there, but everyone knows they've got it. Or the county archive, and we have the Shropshire Archive, we all know we could go there, everyone in Shropshire knows they can go there. I grew up in Cambridgeshire, I know there's a Cambridge archive.

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Simon Davies: How about if you knew you had a family archive, whether you thought you were interested in it or not, and at some point you become interested and you go and look up your family archive? So it's trying to get that sort of mentality.

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Simon Davies: And so…

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Simon Davies: back to this future proof of thing. Just read my notes here. Yeah. So it becomes a family archive that is part of the family, and it crucially, as you'll see in a minute, it personalizes to each member of the family. So it's not like Simon's website where he writes a load of stuff.

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Simon Davies: You'll see there's a mechanism whereby, when a relative comes in, it works out who they are, and puts them at the center. So all the information is like a funnel of

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Simon Davies: Being relevant to them.

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Simon Davies: So that's important. And then the other thing I think that's important for future-proofing and engaging a family is to be of broader appeal than just family history, ironically. So we look at the ancestral history, beyond living memory, and we're fascinated by that. The majority of our family are not. I don't understand why, personally.

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Simon Davies: Fools, but they're not.

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Simon Davies: But we do have a commonality that you can engage people on nostalgic history. You know your grandparents raising your kids, mucking around with your cousins, etc.

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Simon Davies: So that starts to, be more engaging for family. But then the last bit, living history, and this is the future past, you know, our own memories as we make them, because we become part of the canon, right? And actually.

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Simon Davies: When we pass on.

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Simon Davies: One of the first things that will help people find the family history work that we've done is their fascination with us, because they'll be nostalgic about us. So keeping a record of ourselves, but also just generally amongst your family, looking for opportunities where they might want to record stuff as it happens. So my daughter went away to university last year and was very, I think she was quite homesick. She was a bit anxious about it.

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Simon Davies: And she suddenly got into our archive, and she's done all her family holidays, she's done her school life, and I think you get these inflection points, and the last point here is, like, no pressure, it's there when the time comes.

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Simon Davies: You know, I've got my cousin's daughter, she was inspired to do some stuff around the birth of her children, you know, so…

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Simon Davies: It's it's not just about tech, it's about a bit of an ethos and a philosophy as well, I think is what I'm trying to communicate.

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Simon Davies: Well, I'm just mentioning here, so as Michael will know, the One Place Studies side of it, we've used that archive to make, the Shropshire Family History Hub, which is a work in progress, where we're mapping all the… all the locations in Shropshire.

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Simon Davies: and then inviting people, or either linking to like local history sites or inviting people to.

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Sheila Culross: you.

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Simon Davies: the fantastic bits of research they may have done on a place or their family's involvement with a place. And it's very rewarding and

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Simon Davies: We just have people exposing vast amounts of knowledge on,

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Simon Davies: The places are… and so this is a community, and

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Simon Davies: Michael, I don't know if you get emails from it occasionally when we put something up of interest.

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Michael Hulme (Shrewsbury): Yes.

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Simon Davies: So it has the same ethos. It's like, how… if you have a heart, if you have this…

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Simon Davies: center for finding stuff up about the county, but again, it's a bit like a museum, you go in there from time to time. So we'll put up something of… I mean, I'll show you something in a minute. We'll put up something of interest into the Shropshire Family History member group, and myself, Michael, all the other members who are digital, which isn't everyone.

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Simon Davies: We'll get an email and go and check that out. So again, this…

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Simon Davies: getting, getting this, getting the most interesting stuff we do exposed and shouting out and saying, I'm here, I'm here. So that's another example of that. Right, let's go and do a little demonstration. Move this.

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Simon Davies: PowerPoint, over there.

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Simon Davies: Onto the other screen.

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Simon Davies: And… here we are. So, I am in my family archive.

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Simon Davies: That's me in purple. I've just got a setting that makes it blurred, because when you're recording, you don't want living people. There's details getting out there.

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Simon Davies: So there's a family tree, and I started it by uploading the Gedcom, which is by far the most effective way of kicking things off. So you just go and download your Gedcom, throw it in there.

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Simon Davies: See, I've got some notifications here.

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Simon Davies: That'll be to do with stuff happening in these groups that I'm talking about. That's good. And you have this sort of struck. This is a home, this home level structure.

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Simon Davies: Where these are the buckets of stuff that you can build up. So obviously media pictures and things, occasions.

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Simon Davies: Artifacts, places. I love artifacts and places. They're just the recording those things. Artifacts especially where, you know, only one person can physically have it, but here you can share it with everyone. And.

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Simon Davies: The 1st thing I'm going to show is this technical point about being the center of it. So if I look at the families menu up here. So what it's done is it's worked out. Excuse me, it's worked out.

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Simon Davies: All the surnames I'm descended from.

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Simon Davies: Paternal on the left, maternal on the right, and the generation that they came in. And I can then click and go into each family. Now, I'm going to go to a different tab.

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Simon Davies: Where I've logged in as my… it's actually a different server, but as my cousin. So if I go over to my cousin…

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Simon Davies: So that's my cousin Tim there again, blurred because he's alive, and if I go over to the right.

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Simon Davies: That's me there. So he's come in, he's the center of it. Now, obviously, I'm the most active person in it initially, so a lot of the stuff…

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Simon Davies: Most of the stuff comes from me at this stage, but he can engage with the bits that's really useful and interesting, directly relevant to him. And if he looks in his family's menu, it's worked it out relative to him. So Coulson is his father, and that's not my bloodline at all. It's my uncle Ken, and I've got plenty of stuff on him.

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Simon Davies: But he then has…

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Simon Davies: The family's archive from HIMSpective, and that makes a difference in terms of making it feel relevant and interesting.

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Simon Davies: So I'll go back to me, and really I'll just have a… have a look around, so…

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Simon Davies: Let's go… what should we do? We'll go.

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Simon Davies: Let's go families. Let's go and have a look at the Davies family.

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Simon Davies: Researching Davies is in Wales, in Montgomery and Shropshire. Absolute joy.

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Simon Davies: especially the ones that were married to Hughes, Jones, and the like. So anyway, I'm in the family section, it's broken out and shown how I'm descended from the Davies family. If I went to my cousin Tim, it would show how he's descended, again, personalising it.

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Simon Davies: In fact, if I go and look at, let's go and look at a family.

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Simon Davies: the Chelmic family. So that's 1 going way back. So that shows you how I'm descended from the Chelmic family. If I go over to Tim.

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Simon Davies: There's a Chalmix on the maternal side here.

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Simon Davies: And that's showing how he's descended from the Chalmick family, so it's always personalizing it.

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Simon Davies: But I'll go to the Davies family again. So I've got.

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Simon Davies: I've written an overview, and it's a very…

354
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Simon Davies: Simple to use editor that allows you basically to create web pages and, and there are lots of tools in there specific to genealogists like you can build.

355
00:35:09.640 --> 00:35:25.189
Simon Davies: But down here you've got. This is a custom tree, so I can just construct it in this editor. I go like that person, that person, that person, and it constructs this tree, and these are all live. You can click and go through to them. You can interlink everything. So this is an overview of the Davies.

356
00:35:25.390 --> 00:35:37.950
Simon Davies: But then there's links off to far more detailed dives into, various aspects of it. So what I've chosen to do is say, well, where are we from? Shropshire, Valet, Montgomery.

357
00:35:39.170 --> 00:35:45.879
Simon Davies: And this is what it looks like. Lovely Cornedon. Have you climbed Cornedon, Michael? Have you ever climbed Cornedon?

358
00:35:45.880 --> 00:35:46.550
Tom Hart: being.

359
00:35:46.550 --> 00:35:47.420
Michael Hulme (Shrewsbury): Oh no.

360
00:35:47.420 --> 00:35:48.690
Tom Hart: Oh, beautiful.

361
00:35:48.690 --> 00:36:07.150
Simon Davies: That's looking out from Montgomery on a snowy day across the Vale of Montgomeryshire. And then all these various images. Oh, this is from Montgomery Castle. That's Cornedon, the hill in the background. My father grew up in the town of Newport in North Shropshire, and they called their house Cornedon. It's an echo to their past.

362
00:36:07.270 --> 00:36:13.889
Simon Davies: That's taken from the Longmen, Michael. That's actually Caderidris on the Welsh coast.

363
00:36:13.890 --> 00:36:14.680
Michael Hulme (Shrewsbury): Okay.

364
00:36:14.960 --> 00:36:23.689
Simon Davies: That's quite a unique day, I think you'd agree, to be able to see that far. You're looking across entire Wales to Cadwydras.

365
00:36:23.790 --> 00:36:39.490
Simon Davies: And then I go into like the earliest I've got back is this guy William Davies. I've tracked down where he lived, I've knocked on the door, had to look around. This is this is his family unit, and then I move on to the next one. The first, the great-great-grand, the great-great-grandparents, the first ones we can see.

366
00:36:39.920 --> 00:36:51.080
Simon Davies: She's a Jones. These are Davies, and they lived on the Folly farm and the Folly farm here. This is taken with a box camera by my grandfather in about 1810.

367
00:36:51.080 --> 00:36:51.680
Michael Hulme (Shrewsbury): Oh.

368
00:36:51.680 --> 00:36:59.860
Simon Davies: And then I'm starting to map, I'm mapping here where they… where he lived, so if I open that up.

369
00:37:00.070 --> 00:37:06.129
Simon Davies: So you started at Petrocoon, and I can… we have this lovely 3D mapping thing, so I can go in and…

370
00:37:06.870 --> 00:37:09.789
Simon Davies: Have a look. So he was… he was from there.

371
00:37:10.000 --> 00:37:14.059
Simon Davies: So they're on the side of the Vale of Montgomery, there's a Kerry Ridgeway up there.

372
00:37:14.770 --> 00:37:18.790
Simon Davies: And if we look around, that's looking back down the Vale at Montgomery.

373
00:37:20.280 --> 00:37:26.800
Simon Davies: in the distance. There's Montgomery there. So I was looking out from Montgomery, and there's Castle things so we can really explore.

374
00:37:27.770 --> 00:37:31.160
Simon Davies: where they lived, and he moved then to the Folly Farm, which is over here.

375
00:37:32.520 --> 00:37:42.510
Simon Davies: And this is where my grandfather and my great-grandfather and my father and all his cousins went as children. Yeah, it's a really quite important place to the family.

376
00:37:42.700 --> 00:37:49.650
Simon Davies: Anyway, so that's that generation, and then I go into my great-grandfather's generation, where they… all the cousins intermarried, which explains a lot.

377
00:37:52.700 --> 00:37:54.030
Simon Davies: That you'd like to share?

378
00:37:55.300 --> 00:37:56.600
Simon Davies: And…

379
00:37:57.250 --> 00:38:07.419
Simon Davies: Then we get so great. That's my grandfather there. So these wonderful photos, if I do a close up there, I can see a little face in there, and I'm really frustrated that I can't detect who it might be.

380
00:38:09.220 --> 00:38:17.790
Simon Davies: That's anyway. And then… and so on, so I just go down the generations. That's my dad there, the cheeky little chap in the middle, lovely. So that's how I've chosen to…

381
00:38:18.060 --> 00:38:22.019
Simon Davies: Describe the Davies family, I do it for all sorts of families, so if you were to look at

382
00:38:22.880 --> 00:38:28.300
Simon Davies: family And I always espouse to people, I say, like, when you're writing about anything or anyone.

383
00:38:29.940 --> 00:38:44.220
Simon Davies: make sure you just start with something interesting, don't be too factual. So I start the overview of the Poole family, drawing on my great-great-grandfather's diary, where he made… he noted… I noted that in it, there were a lot of accidents involving pony and traps.

384
00:38:44.680 --> 00:38:52.479
Simon Davies: The Pooles teach us that pony and trap riding was a hazardous affair, as the extracts of Thomas Poole's diary show. My mother was thrown out of her trap.

385
00:38:52.700 --> 00:39:02.639
Simon Davies: 16th of February 1860. My son Thomas, thrown out of trap near Newport, going to Mr. Vaughan's of Campton. Concussion of the brain, had a hospital nurse there tending to him a long time.

386
00:39:02.650 --> 00:39:18.170
Simon Davies: Came home June 15th, unconscious for many days, 24th March 1891. But the one I like is here. Geoffrey, that's his brother, as coming from church, upset Aunt Farmer and old Mrs. Griffins out of the trap, was looking too much at Miss Crane just before him.

387
00:39:19.570 --> 00:39:23.360
Simon Davies: 17th of November 1861. And he married,

388
00:39:24.090 --> 00:39:33.239
Simon Davies: Sarah Crane. So I think it was well, well noted and spotted, but sadly she had an epileptic fit and died in her forties.

389
00:39:33.240 --> 00:39:33.690
Michael Hulme (Shrewsbury): the.

390
00:39:33.690 --> 00:39:36.109
Simon Davies: But they lived in Atcham.

391
00:39:36.250 --> 00:39:43.469
Simon Davies: And this, my parents have this. This is this is a silver platter for Jeffrey and Miss Crane, his wife.

392
00:39:43.770 --> 00:39:54.829
Simon Davies: It's the 1876 Turnip Prize, and it's given by G. Hadfield and Co, who are manure manufacturers of Liverpool.

393
00:39:54.830 --> 00:39:55.510
sheila jelley: Ha ha ha!

394
00:39:57.090 --> 00:39:57.969
Simon Davies: So,

395
00:39:57.970 --> 00:39:58.550
sheila jelley: go.

396
00:39:58.550 --> 00:40:05.069
Simon Davies: That impressive, I mean, look, they've gone to town on like, for your turnips, you get the silver platter from a manure company, I love that.

397
00:40:05.380 --> 00:40:09.029
Simon Davies: anyway. So that's the that's the pool family, and I can give you a

398
00:40:09.370 --> 00:40:16.290
Simon Davies: like a little dig in a little glimpse into how I started my fascination with family history in here, because in here I have

399
00:40:16.640 --> 00:40:22.760
Simon Davies: in artifacts. So the artifact I have associated with the pools, and in fact, I should index a few more in

400
00:40:23.010 --> 00:40:24.649
Simon Davies: It's this little pocketbook.

401
00:40:25.120 --> 00:40:33.600
Simon Davies: Now, this little pocketbook, I'll go to the complete document. It's dated 1833. It's actually a ledger.

402
00:40:33.770 --> 00:40:36.450
Simon Davies: Okay, you know, financial ledger book.

403
00:40:36.660 --> 00:40:39.079
Simon Davies: Except this one wasn't used for that.

404
00:40:40.100 --> 00:40:48.960
Simon Davies: So you can see it says 1833. It's got Jay Poole. That's another Jeffrey Poole. But further back than that, I think he's like 4 times great uncle.

405
00:40:49.550 --> 00:40:54.440
Simon Davies: And this pocketbook… It's basically full of his family history research notes.

406
00:40:54.440 --> 00:40:55.000
Michael Hulme (Shrewsbury): No.

407
00:40:56.670 --> 00:41:06.490
Simon Davies: And my grandmother, who was born in 1897 and had had strokes, and so when I was a 10-year-old, she'd be bound to a chair and she would show me this little pocketbook.

408
00:41:06.850 --> 00:41:19.440
Simon Davies: She died in 1985, sadly. And then years later, my aunt died, and there was a wake in the house, and I came across this pocketbook again. I went to my uncle, I said, look, I know what it is, do you mind if I…

409
00:41:19.530 --> 00:41:37.819
Simon Davies: take it, but to preserve it, and I digitized it and shared it with everyone. But it had things like this. Treff Nanny Farm. After great-grandfather's death, this widow kept up the dislike to eldest son Geoffrey for marrying against wishes. She sold £600 worth of timber off the estate, and every available bit of stock left the house in ruins so that when the son

410
00:41:37.820 --> 00:41:49.210
Simon Davies: came into possession. There was nothing but bare land. Oh, brilliant, fantastic! So the 1st thing I had to do in my family history was find Trefnani Farm, and that is the 1st thing I did, and I'll show you in a minute.

411
00:41:49.310 --> 00:41:56.330
Simon Davies: But some other pages on here, and all these dates and peoples and little anecdotes, but one that I'd rather…

412
00:41:56.390 --> 00:42:13.890
Simon Davies: amazed by this. This, it says, copied from Lansan Freud register, February the second, 1836. He's gone to Lansan Freud in McCain Church by Lanny Monarch there, and he's gone around the church, all the graveyards, all the records, and he's recorded them all. So it goes back into the 1600s because none of this will exist anymore.

413
00:42:13.950 --> 00:42:24.370
Simon Davies: I mean, yeah, this guy himself, if there's a gravestone to him somewhere, it would be illegible, it's that old. So I just… oh, I'm so grateful for this pocketbook, it's…

414
00:42:24.490 --> 00:42:26.069
Simon Davies: Give me absolute joy.

415
00:42:26.210 --> 00:42:33.180
Simon Davies: But if I look at… if I go back to… where should I go? Pools, and then we look at places to do with pools.

416
00:42:33.760 --> 00:42:38.669
Simon Davies: You will see that I found Treftany Bank, and here it is. So let's go and have a look at Treftany Bank.

417
00:42:39.460 --> 00:42:46.949
Simon Davies: That's where it is, and that's… Kevin the drone went up to inspect it, and it's nestled down here. It's not.

418
00:42:47.100 --> 00:42:49.700
Simon Davies: Actually, I… in my mind.

419
00:42:49.820 --> 00:43:01.100
Simon Davies: It was on a well in my child's mind. It was on a Welsh mountainside driving rain, bleak and bitter. But this lives. They're actually nestled into the verdant valley between the river Vernwy and the river Severn.

420
00:43:01.900 --> 00:43:08.480
Simon Davies: That's my mother several years ago. She she was the first to find it. I wasn't with her.

421
00:43:08.830 --> 00:43:17.849
Simon Davies: And it's really ramshackle. This is a Dutch barn that's preserved because it has this thin latticework oak panels on it. I don't think it's going to last much longer.

422
00:43:18.210 --> 00:43:24.329
Simon Davies: And there's… these are various things out of the.

423
00:43:24.450 --> 00:43:29.019
Simon Davies: that pocketbook, so it even talks about how some cousin left it to his other cousin.

424
00:43:29.200 --> 00:43:34.060
Simon Davies: and etc, etc. And then here's the family tree of how my grandmother here

425
00:43:34.330 --> 00:43:36.679
Simon Davies: Goes up through all these people.

426
00:43:37.940 --> 00:43:48.020
Simon Davies: Geoffrey married Mary Lloyd, but his parents, Geoffrey and Jane, disapproved of her, although she sounds as if she was lovely. And then at the bottom of the farm track is this chapel.

427
00:43:48.440 --> 00:43:55.420
Simon Davies: And in the grounds are loads of these relatives. It took me a while to find them. And this is…

428
00:43:55.480 --> 00:44:14.400
Simon Davies: this I love this picture. So this that is the grave of my 4 times great grandfather, the one who married against wishes. But that's my dad, me and my son. So the generations you have, I mean, so that that's his 5th 5 times great grandfather, and we had to cut it out pretty much scrape away to

429
00:44:14.670 --> 00:44:16.039
Simon Davies: We had the,

430
00:44:17.120 --> 00:44:25.510
Simon Davies: We had the Montgomeryshire Genealogical Society monumental inscriptions for, and they just they've done an amazing job of

431
00:44:25.520 --> 00:44:44.299
Simon Davies: sketching it. But this is how I found it. It was on… I got from the Welsh, archive, the tithe map, from, what, around 1841, and there it was. That's the first time I found it. I was like, holy cow. Treff means farm, as it means town, and nanny, or nanau, sometimes the Welsh pronounce it AU.

432
00:44:44.370 --> 00:44:50.950
Simon Davies: Means of the Nanau, and the Nanau were one of the two sort of princely families. There's actually a village.

433
00:44:51.450 --> 00:45:03.020
Simon Davies: called Nanau in central Wales, with a big stately home near it that I think might be derelict. I'm not sure. But so it's a town of the whole townships called Trefnanny. So it's a town. It's a town of the Nanau, i.e. They were the

434
00:45:03.510 --> 00:45:08.239
Simon Davies: overlying doors. So I found that out along the way, and

435
00:45:08.570 --> 00:45:11.130
Simon Davies: I'll give you a little bit. I'll give you a bit of Kevin.

436
00:45:11.300 --> 00:45:12.400
Simon Davies: So, Kevin…

437
00:45:12.890 --> 00:45:18.709
Simon Davies: I'll fast forward through it. So he takes off from the cemetery, and you can see there's another grave there in the grass.

438
00:45:18.870 --> 00:45:32.630
Simon Davies: that literally using the map, we just found a bit of a dimple, and we cut the whole thing out, and there was an ancestor underneath. I don't know if the groundsman would have thanked us or not, but I feel that the person there to have a grave, so.

439
00:45:32.660 --> 00:45:39.030
Simon Davies: We exposed his grave again. And basically, Kevin goes up from the cemetery.

440
00:45:41.310 --> 00:45:53.139
Simon Davies: He looks down, he's looking down on the cemetery, and I put those notes in there. There are loads of people buried there from this family. This is the map, great map showing us where the graves were.

441
00:45:54.250 --> 00:46:02.869
Simon Davies: And then he flies off to Cleford Downey Bank, and that's it there coming. So you can see all these fields and these fence lines.

442
00:46:03.160 --> 00:46:04.870
Simon Davies: They're all on.

443
00:46:04.870 --> 00:46:05.480
sheila jelley: you.

444
00:46:05.480 --> 00:46:06.680
Simon Davies: 1841.

445
00:46:07.910 --> 00:46:11.199
Simon Davies: I'll leave Kevin there, so Kevin's a good bit of fun.

446
00:46:11.470 --> 00:46:19.689
Simon Davies: So I found Trif Daddy Bank. So I'm just giving you an example of the sorts of things I record. If I go back to the home level, though, that's

447
00:46:20.310 --> 00:46:27.080
Simon Davies: Think about, some great projects that I put in here. I think we'll go to…

448
00:46:28.040 --> 00:46:30.910
Simon Davies: A World War I story. So here's my grandfather.

449
00:46:33.230 --> 00:46:37.429
Simon Davies: I won't do Henry Davies, but he got eaten by a shark in Queensland, and that's another story.

450
00:46:37.620 --> 00:46:53.210
Simon Davies: If we go over here, you've got my great-grandfather's brother, John Davies, who was mayor of Much Wendock towards the end of his life, and they're all buried over in Much Wendock. But you look at his family here, I mean, it's a tragic family. They were clearly a lovely nuclear family.

451
00:46:53.480 --> 00:46:59.330
Simon Davies: in this farm near Much Wenlock, but you can see the eldest two were killed in World War I.

452
00:46:59.550 --> 00:47:01.910
Simon Davies: And actually, Brian here, the youngest.

453
00:47:02.020 --> 00:47:09.740
Simon Davies: You see, he dies in 1918. He didn't go to war. He was. He died of Spanish flu back on the farm.

454
00:47:09.840 --> 00:47:29.569
Simon Davies: And… I was into… if I scroll sideways, that's my grandfather. So it's his cousin. Well, I pointed out to my dad, so my dad is called Brian with a Y. I said, Dad. your dad named you after his cousin Brian with a Y. It just makes it that much more personal and…

455
00:47:29.920 --> 00:47:36.019
Simon Davies: Anyway, George here, I have gone to town tracking down the very field in which he

456
00:47:36.330 --> 00:47:42.360
Simon Davies: was obliterated on the Western Front, so if I look at all the research I've done on him.

457
00:47:42.840 --> 00:47:47.159
Simon Davies: A bit about his short life and his final days. I start with his short life.

458
00:47:47.870 --> 00:47:53.390
Simon Davies: He… Grew up on this farm, Marsh Farm.

459
00:47:53.530 --> 00:47:55.110
Simon Davies: Absolutely stunning.

460
00:47:55.220 --> 00:47:56.060
Simon Davies: Property.

461
00:47:56.200 --> 00:48:02.960
Simon Davies: But interestingly, I worked out that he was born in Aberystwyth. I was like, what? Because none of them ever lived in Aberystwyth.

462
00:48:03.320 --> 00:48:11.680
Simon Davies: And of course, what I uncovered was John Davies, my grandfather's uncle, basically had impregnated his

463
00:48:12.700 --> 00:48:17.549
Simon Davies: 20… he was 31, he impregnated his 20-year-old cousin, first cousin.

464
00:48:18.560 --> 00:48:21.740
Simon Davies: And they had clearly been sent to Aberystwyth.

465
00:48:21.870 --> 00:48:37.159
Simon Davies: to get married, and then come back when they had the baby. And this much Wednock farm is sort of on the other side of the county. But they clearly were very, very happy, and raised a big family, and my dad's cousin's mother

466
00:48:37.390 --> 00:48:42.920
Simon Davies: My dad's cousin can tell me about his mother remembering this lady.

467
00:48:43.580 --> 00:48:45.279
Simon Davies: And their family.

468
00:48:45.440 --> 00:48:56.519
Simon Davies: Anyway, that's where he grew up, and what is distinctive about George is that he left. I'll just go to George. He left a 180 page

469
00:48:58.170 --> 00:49:12.170
Simon Davies: diary of the Battle of… from the First World War. So, and he actually was in the Australian Army. I'll come to why. He enlisted as an enlistment, but this… the…

470
00:49:12.550 --> 00:49:19.660
Simon Davies: Australian War Memorial Library in Canberra. Basically, they had this printout which would have been from

471
00:49:19.920 --> 00:49:28.519
Simon Davies: 1918-19, because they basically got hold of it, because they decided it would be important to keep a copy of it. And they digitized it for me and sent it to me, which is a bit of a fad.

472
00:49:29.150 --> 00:49:34.159
Simon Davies: So I was able with it and unit war diaries to put his life together.

473
00:49:34.440 --> 00:49:35.390
Simon Davies: Oh.

474
00:49:36.650 --> 00:49:38.359
Simon Davies: I think I won't go through…

475
00:49:38.720 --> 00:49:41.290
Simon Davies: I'll do his final days, but… so…

476
00:49:41.890 --> 00:49:48.579
Simon Davies: I did. I plotted his life out first of all, mapping wise, so we can tour around

477
00:49:48.750 --> 00:50:01.310
Simon Davies: He was born in Aberystwyth, lives on the Marsh Farm, goes to Abbey School in Tewkesbury, trains at Cliff College to be a Methodist minister, then gets to Liverpool, and boom!

478
00:50:01.630 --> 00:50:20.160
Simon Davies: Off to Australia and they were doing a recruitment drive. He was a Methodist minister, missionary in, Australia, and they were doing a recruitment drive down the coast and he, he enlisted. So then he gets to Sydney, gets on the Beltana troop ship, stops in at Cape Town, gets to Devonport.

479
00:50:21.470 --> 00:50:25.510
Simon Davies: Up to Larkhill Training Camp, down to Southampton and across to Loch Arville.

480
00:50:25.720 --> 00:50:34.360
Simon Davies: That picture there is actually all the marches that they did to their billets when they arrived, not them, all troops when they arrived in La Havre.

481
00:50:34.780 --> 00:50:42.309
Simon Davies: on a train to this place, Bayeux, however you pronounce it, based in Armontier for a while, and fighting at the front nearby.

482
00:50:42.380 --> 00:51:01.319
Simon Davies: Then on. He was involved in the battle on the scene on the 7th of June, 1917, and then another attack on the June 10th of June, and then final resting place, or where he was obliterated, and he's on the Menin Gate. So that's a whiz through his life.

483
00:51:01.480 --> 00:51:03.780
Simon Davies: Bit of background to World War One.

484
00:51:04.630 --> 00:51:05.460
Simon Davies: But.

485
00:51:05.610 --> 00:51:13.350
Simon Davies: Really, I'm concentrating on the Battle of Messines and Passchendaele, so these are all original maps. And I got hold of the unit war diaries.

486
00:51:13.620 --> 00:51:16.339
Simon Davies: For his battalion and company.

487
00:51:16.400 --> 00:51:32.019
Simon Davies: And then it all just came to life. I could track him down, that, with his diary. So, like, I mean, he puts his diary here. This… this is… oh, sorry, this will be… let me just get rid of that… this will be the last time I shall write in the diary, this diary before the Great Push. It may be the last time I shall ever write.

488
00:51:32.050 --> 00:51:49.289
Simon Davies: The time is now ripe for the moment when we go over the top and advance to the enemy trenches. I am to go with the boys, and I'm not sorry to be able to do so. I have made my peace with God, and trust in Christ my Saviour to bring me to eternal life. Light. I may be killed. I welcome such a death as freedom from this on earth.

489
00:51:49.690 --> 00:51:56.950
Simon Davies: With these last few words, I close this diary and await with calmness and patience the time of fighting. And that was the last time he wrote in his diary.

490
00:51:57.300 --> 00:52:00.220
Simon Davies: But in the Union War Diaries, he is…

491
00:52:00.300 --> 00:52:19.960
Simon Davies: when they go for the battle machine, they assemble at this D company assembles at this trench on the left of Prowse Point, in a deep, fairly safe piece of trench off Ontario Avenue, adjacent to the RE dump. So this is a trench map from the time. Here's Prowse Point. Oop, yeah, here's Prowse Point. You can see the roads in the background.

492
00:52:20.410 --> 00:52:26.140
Simon Davies: This is Ontario Avenue trench, so he was in this trench here. That's where he assembled.

493
00:52:26.650 --> 00:52:40.369
Simon Davies: And if we take a closer look, I've traced it onto the actual map, so he would have been here, this trench here, that's Prowse Point. In the Passchendale Museum, there is a video of Prowse Point.

494
00:52:40.880 --> 00:52:41.420
Michael Hulme (Shrewsbury): Who?

495
00:52:41.630 --> 00:52:46.690
Simon Davies: So I'll put a still there, but that is a video. It's just ridiculous. And that's me.

496
00:52:46.920 --> 00:52:51.320
Simon Davies: At Prowse Point, with my arm, Reaching over the,

497
00:52:51.740 --> 00:52:59.719
Simon Davies: The trench would be roughly below my arm. So I tracked him down and that's the unit war diary saying what happened at zero hour.

498
00:53:00.060 --> 00:53:06.880
Simon Davies: And then they moved up to this Grey Farm area, and they did an attack on this place called Pottery Farm.

499
00:53:07.360 --> 00:53:14.890
Simon Davies: And it's got all the details of what they did there, and grid references and everything. So this is the Tack and Pottery Farm, and I sort of recreated that.

500
00:53:15.530 --> 00:53:25.019
Simon Davies: A brief respite gets sent behind the lines. So I'm tracking him. So from Pottery Farm he's gone back behind the lines, and then he comes forward again to here.

501
00:53:25.470 --> 00:53:31.999
Simon Davies: And people at the Great War Forum, there was such help. So one guy sent me this.

502
00:53:32.880 --> 00:53:34.950
Simon Davies: Matt here said, you want the yellow area.

503
00:53:35.360 --> 00:53:41.210
Simon Davies: This yellow area is where his life ended and played out, so… He was…

504
00:53:41.400 --> 00:53:45.109
Simon Davies: The front is just here. He's in a support trench here.

505
00:53:45.370 --> 00:54:00.580
Simon Davies: And you see this green, this is a push cart railway, and there's this relay post here where they take the injured and the dead. And you'll see that you'll notice there, there's Fanny Farm, so remember that. So he's based in this trench, and remember that relay post and Fanny Farm.

506
00:54:00.950 --> 00:54:04.599
Simon Davies: They will come become important. It's my little tracing job.

507
00:54:05.040 --> 00:54:11.670
Simon Davies: Shelling detail. This is him. He's died. And you see these other private cross.

508
00:54:12.520 --> 00:54:14.900
Simon Davies: Private Davies, Private O'Leary.

509
00:54:14.960 --> 00:54:16.179
Simon Davies: Company D.

510
00:54:16.240 --> 00:54:21.780
Simon Davies: and then killed in action. So that's the actual in the unit war diary.

511
00:54:21.830 --> 00:54:35.029
Simon Davies: And one of the guys on the Great War Forum sent me this. This is a Red Cross witness statement, and it says, of Cross. So this is Cross here, this guy, Private Cross. This is a witness statement of the death of Private Cross. I saw him killed beyond the scene early in July.

512
00:54:35.030 --> 00:54:54.980
Simon Davies: He was asleep in his dugout with Sergeant H. Goodsir of D Company, who was also asleep. It was in support trenches, and at the time, there were occasional shells coming over. I was a few yards away and saw a shell land right in their dugout. His arm was almost severed, and a big piece of timber driven right into his chest. He just called out once, but his death was also instantaneous.

513
00:54:55.040 --> 00:55:05.960
Simon Davies: etc. And it says down here, I have seen his grave. The service was read by Signal Davies, and now that's my ancestor, George Davies, who got killed the same evening.

514
00:55:06.140 --> 00:55:12.549
Simon Davies: The grave is on the right of, he means Fanny Farm, east of Messine. There were about six graves there.

515
00:55:12.800 --> 00:55:14.149
Simon Davies: So, and then…

516
00:55:14.360 --> 00:55:21.369
Simon Davies: This is also on the role of honor there at the Australian Born Memorial, and said, killed after Messine, whilst burying 2 friends. Well.

517
00:55:22.590 --> 00:55:23.930
Simon Davies: 1, 2.

518
00:55:24.040 --> 00:55:26.210
Simon Davies: The company, and himself.

519
00:55:26.460 --> 00:55:28.300
Simon Davies: And of course, what happened was…

520
00:55:29.010 --> 00:55:37.830
Simon Davies: He was a Methodist minister, so at these impromptu battle, background burials, they would just say, oh, could you do this, you know, do a quick service?

521
00:55:38.150 --> 00:55:44.329
Simon Davies: And then somebody else from the Great War Forum sent me this that shows 60 rounds of a certain type of shell.

522
00:55:44.430 --> 00:55:59.309
Simon Davies: fell on these grid references at the fateful time, and if I shade over those grid references, you'll see here's the support trench he was in, here's the push railway, here's the relay post where they took the injured and the dead.

523
00:55:59.540 --> 00:56:03.689
Simon Davies: This is Fanny Farm up here. They were burying them in here.

524
00:56:04.680 --> 00:56:14.409
Simon Davies: Yeah, they were burying them in there. So clearly, they got 60 shells dropped on them while they were burying those people, so that was bad timing, basically.

525
00:56:14.520 --> 00:56:21.690
Simon Davies: And of course, we had to send up again our passport.

526
00:56:22.770 --> 00:56:24.070
Simon Davies: Go back a bit.

527
00:56:25.000 --> 00:56:33.919
Simon Davies: So… That… that… there… this is what… imagine the push cart railway is going underneath us.

528
00:56:34.950 --> 00:56:42.669
Simon Davies: That's the relay station about on the apex, where that building is. Fanny Farm is behind the trees there, so this area here is where they were.

529
00:56:45.770 --> 00:56:58.999
Simon Davies: Fast-forwarding it… I mean, he has a whole look over the whole battlefield, and actually, you can name… like, that's called Hun Row or something. It maps all the trenches when you just look out over the landscape. Once you've got to know it, you know exactly what you're looking at.

530
00:56:59.140 --> 00:57:06.500
Simon Davies: But I think he… There's a still actually I'll go ahead.

531
00:57:06.990 --> 00:57:11.779
Simon Davies: In that footage, I cut this out, so this shows you where he died.

532
00:57:11.950 --> 00:57:17.100
Simon Davies: I went and bought back some mud from that field, which I'm going to go and put in the,

533
00:57:17.380 --> 00:57:20.460
Simon Davies: In the farmyard where he, where he grew up, so.

534
00:57:20.610 --> 00:57:21.520
Simon Davies: And…

535
00:57:21.930 --> 00:57:31.019
Simon Davies: He he writes really well. I don't know if you read that book, my uncle Harry, by Michael Palin, which is a similar sort of account of his his ancestor in World War one.

536
00:57:31.210 --> 00:57:37.150
Simon Davies: But he puts monosyllabic. He just says, you know, where in his diary, where's this guy?

537
00:57:37.240 --> 00:57:42.269
Simon Davies: Listen to this trench conditions are not the best. So he's literally in a trench in 1916.

538
00:57:42.290 --> 00:57:56.819
Simon Davies: One wallows in a sea of mud. One's clothes get muddy. The rifle is absolutely hidden in mud, mud here, mud there, mud everywhere. You walk in mud, you talk in mud. You look over a parapet of mud, and a paradise of mud is behind you. When a shell strikes in your vicinity it covers you with mud.

539
00:57:56.820 --> 00:58:02.630
Simon Davies: When you eat food, you find it spread over with mud, and your breakfast, dinner, tea, and supper is bread and mud.

540
00:58:02.630 --> 00:58:07.519
Simon Davies: These were the conditions when, in 1916 Ad. We fought the Germans or the Bosch or the Hun.

541
00:58:07.520 --> 00:58:17.210
Simon Davies: It's just brilliant, isn't it? To read all that stuff. Anyway, he's on the Menin Gate, and that's his sad life, and now I need to track down his…

542
00:58:17.570 --> 00:58:21.440
Simon Davies: brother, who was in the Egyptian Expeditionary Force, and which

543
00:58:21.600 --> 00:58:34.920
Simon Davies: Killed on the 28th of September 1918, just after crossing the River Jordan, and is buried in Haifa Commonwealth grave, a war thing, and then sadly, with the situation in the Middle East, I don't know when I'll be able to get there, but no one has been to see him.

544
00:58:35.050 --> 00:58:44.779
Simon Davies: And I know that he has inscribed on his grave, undying love, mother and father. And you just think they would never have been able to go out and even see the grave of their child. It's just awful.

545
00:58:45.280 --> 00:58:48.100
Simon Davies: Anyway… So that's an example of…

546
00:58:48.740 --> 00:59:02.989
Simon Davies: some stuff, so I suppose I should probably, get a bit more specific about the product, I suppose. You have this community area where people post, stuff just to share with other genealogists, and we can all… we all know each other and comment.

547
00:59:03.530 --> 00:59:10.409
Simon Davies: It has shortcuts into my archives and bookmarks I've got into my various archives.

548
00:59:10.970 --> 00:59:15.659
Simon Davies: We have the groups, so we've got the We Are Members group, we've got the Shropshire group.

549
00:59:15.820 --> 00:59:23.000
Simon Davies: I've got Davies Family Group for my family, Queensland, there's lots of Australian groups propping up.

550
00:59:23.730 --> 00:59:31.530
Simon Davies: And this is where people share. So this is my mudlarking thing. If you want to go and check it out the video for mudlarking with the all about that place.

551
00:59:31.660 --> 00:59:33.890
Simon Davies: But, you know, just got people…

552
00:59:34.370 --> 00:59:38.270
Simon Davies: Throwing stuff in there, it's, it's great.

553
00:59:40.590 --> 00:59:46.849
Simon Davies: So that's the social side of it, and then you, Should probably show you,

554
00:59:48.070 --> 00:59:52.129
Simon Davies: So I go community, and I get, say, my index here. I'll go to

555
00:59:52.400 --> 00:59:56.409
Simon Davies: Well, I can go to the Shropshire History Hub, actually. So this is where we're

556
00:59:57.550 --> 01:00:01.149
Simon Davies: We're mapping, Shropshire. There's about 5 of us.

557
01:00:01.810 --> 01:00:11.739
Simon Davies: And we have our various projects, so we've got Shropshire Churches, because we have a wonderful catalogue of images from one of our members, John Ravenscar. We're looking at war memorials.

558
01:00:12.040 --> 01:00:14.140
Simon Davies: Monumental inscriptions, notable people.

559
01:00:14.440 --> 01:00:20.329
Simon Davies: probably going to get into house histories, but we can get into anything. It's a very flexible platform, and these are the projects we're doing at the moment.

560
01:00:20.900 --> 01:00:23.700
Simon Davies: But it's a lot of fun.

561
01:00:27.060 --> 01:00:33.229
Simon Davies: Doing the research, because you just discussed… so, like, this place… Where's Apton?

562
01:00:34.050 --> 01:00:38.060
Simon Davies: I'd started… this is where I started, Apton. Okay.

563
01:00:38.410 --> 01:00:41.830
Simon Davies: It's underneath the Brown Clee Hill.

564
01:00:42.990 --> 01:00:51.070
Simon Davies: And the one thing about Abdom is it's one of those medieval deserted villages, so it's… there's the church, but there's hardly anything around it, because they all deserted it to do with the Black Death.

565
01:00:51.560 --> 01:00:59.409
Simon Davies: Let's go… I'll go into the places… I'll show you…

566
01:00:59.800 --> 01:01:02.579
Simon Davies: Where shall I show you? I'll show you…

567
01:01:03.700 --> 01:01:04.380
sheila jelley: Hmm.

568
01:01:04.600 --> 01:01:05.900
Simon Davies: Newport.

569
01:01:06.970 --> 01:01:08.030
Simon Davies: Let's go to Newport.

570
01:01:11.430 --> 01:01:14.890
Simon Davies: And… Alphabet sorted.

571
01:01:17.140 --> 01:01:21.019
Simon Davies: Okay, let me pull… David, in April.

572
01:01:21.830 --> 01:01:30.180
Simon Davies: That's a wonderful local family history group. So we we link out to local history providers. We're not about reinventing the wheel. We want to be. We're like a

573
01:01:31.020 --> 01:01:33.259
Simon Davies: Place where you come to find where everything is.

574
01:01:33.510 --> 01:01:43.560
Simon Davies: And then we put these little snippets in, and I put this was, this is actually one for me. So my father grew up there, and a V1 rocket landed there on Christmas Eve, 1944.

575
01:01:44.680 --> 01:01:46.890
Simon Davies: And killed a rabbit and a frog.

576
01:01:47.290 --> 01:01:52.279
Simon Davies: And it was… contained letters, from prisoners of war.

577
01:01:52.720 --> 01:02:00.620
Simon Davies: in the Manchester area, and it turns out it was part of a raid where the Heinkels were flown over the North Sea, dropped a huge number of,

578
01:02:00.730 --> 01:02:11.139
Simon Davies: V1 rockets, aiming at Manchester, but they landed as far away as Berkshire, Yorkshire, and this one on the edge of Newport, Shropshire.

579
01:02:11.660 --> 01:02:18.709
Simon Davies: And I said, this is a WhatsApp message thing with my dad. So I said to him, I said, well.

580
01:02:18.860 --> 01:02:28.799
Simon Davies: Do you remember it? He said, Oh yeah, because he was nine. He said, Oh yes, I remember it very well. But he cycled over there with his brother five in the morning and found the crater and a dead rabbit.

581
01:02:30.870 --> 01:02:34.280
Simon Davies: I said, did you not think to tell me?

582
01:02:34.530 --> 01:02:40.360
Simon Davies: Do you think I'd not be interested in it? Anyway, that's,

583
01:02:40.550 --> 01:02:49.410
Simon Davies: A nice one. We do, we put our monumental inscriptions in here, and I'll give you some examples of that. If I go to…

584
01:02:54.390 --> 01:02:55.759
Simon Davies: I've got it in here.

585
01:02:58.650 --> 01:03:00.409
Simon Davies: Let's have a look at it.

586
01:03:02.250 --> 01:03:03.040
Simon Davies: Alright.

587
01:03:10.280 --> 01:03:11.940
Simon Davies: Patience with the Internet.

588
01:03:12.430 --> 01:03:13.030
sheila jelley: you.

589
01:03:15.110 --> 01:03:19.270
Simon Davies: I just want to go to the home screen, and I'm gonna go… in via…

590
01:03:19.560 --> 01:03:22.140
Simon Davies: Here, I think, actually, I'm gonna go and find…

591
01:03:24.560 --> 01:03:26.820
Simon Davies: Hope so. Let's go and find Hope so.

592
01:03:28.940 --> 01:03:30.969
Simon Davies: So I go to the village of Hopesay.

593
01:03:31.760 --> 01:03:36.710
Simon Davies: Okay, and beautifully, I'll give you a little… So this nestles…

594
01:03:36.860 --> 01:03:39.479
Simon Davies: Into these lovely, this lovely little valley.

595
01:03:40.550 --> 01:03:42.819
Simon Davies: It's a really beautiful little place.

596
01:03:44.730 --> 01:03:47.869
Simon Davies: And there's the church. So we're going to have to go to the church.

597
01:03:48.940 --> 01:03:51.839
Simon Davies: This is where I put a whole bunch of stuff about the church.

598
01:03:52.170 --> 01:03:58.119
Simon Davies: but also they've got the monumental inscription. So my great-great-grandparents buried there, so I can go in here, and I go, okay.

599
01:03:58.490 --> 01:04:05.089
Simon Davies: They are… So I go down and look through all the pages, index of names and find Paul.

600
01:04:05.580 --> 01:04:12.840
Simon Davies: down that one… Yeah, Margaret and Thomas, 286, so they are number 286.

601
01:04:13.570 --> 01:04:17.899
Simon Davies: So 286 is in this batch here, so I go into 286.

602
01:04:18.360 --> 01:04:28.529
Simon Davies: And 286 is… And 26, and…

603
01:04:28.840 --> 01:04:32.640
Simon Davies: them there, so that's their grave, and that's what it says on it.

604
01:04:34.130 --> 01:04:41.800
Simon Davies: and it's and I've got on the map here 286 and 286 is here. So it's got a little Hotspot on it, and that's my great grandparents grave.

605
01:04:41.940 --> 01:04:49.069
Simon Davies: Great, great friend Pat's Rave. I went there… I went there, actually, Michael, after… not the last one, but the one before our live event in Shrewsbury.

606
01:04:49.340 --> 01:04:56.530
Simon Davies: And I didn't have any tools, so I scraped it away with my bare hands. My fingernails were absolutely raw by the time I'd done this.

607
01:04:56.680 --> 01:05:01.369
Simon Davies: You know my poor old great great grandmother. She's down there. She disappeared.

608
01:05:01.860 --> 01:05:05.180
Michael Hulme (Shrewsbury): Turf will actually protect the inscription very often.

609
01:05:06.130 --> 01:05:11.810
Simon Davies: Oh, okay, yeah, because it was perfectly legible, and his was a bit… was more problematic, actually.

610
01:05:12.650 --> 01:05:17.639
Simon Davies: Yeah, because you can see, can't you? Look, it is actually much better preserved down there.

611
01:05:17.770 --> 01:05:27.999
Simon Davies: Hmm. Anyway, so that's one of our projects that we're… we're carrying out with, church Damasity Hub.

612
01:05:28.310 --> 01:05:36.190
Simon Davies: If I go into… I'll go back to my main archive. Oh, I, one Place Studies, so…

613
01:05:36.390 --> 01:05:41.699
Simon Davies: You can build one-place studies. I've done a demo one here at Cambridge, because I grew up in Cambridge, or just outside Cambridge.

614
01:05:42.210 --> 01:05:56.410
Simon Davies: And this is a classic sort of local history type structure. But I can do things like…

615
01:05:56.580 --> 01:05:58.700
Simon Davies: Actually, I'm going to Maps.

616
01:05:59.750 --> 01:06:08.029
Simon Davies: So one of the things we can do is we can do these sort of overlays. So if I put it in 3D mode, go down to Maudling College.

617
01:06:09.420 --> 01:06:13.200
Simon Davies: But I can phase it in and out. So this is an 1836 map.

618
01:06:13.510 --> 01:06:18.379
Simon Davies: And I'm just showing how… All these historic buildings.

619
01:06:18.660 --> 01:06:21.669
Simon Davies: In the context of that old map, I can fly around.

620
01:06:22.360 --> 01:06:26.610
Simon Davies: Looking at, there's Trinity. There's Trinity.

621
01:06:26.820 --> 01:06:29.820
Simon Davies: But where this becomes really useful is.

622
01:06:30.590 --> 01:06:33.019
Simon Davies: Let's go to the new jail.

623
01:06:33.470 --> 01:06:38.350
Simon Davies: So here's the new jail, 1827 to… I'll just go back into…

624
01:06:39.160 --> 01:06:44.430
Simon Davies: So this new jail is 1827 to 1878. But the great thing I can do…

625
01:06:45.050 --> 01:06:50.340
Simon Davies: is I can work out where it is now. So, actually, that's the sports hall center where we used to go.

626
01:06:50.480 --> 01:06:59.710
Simon Davies: But that's where the old jail was. So we can do these sorts of things. So you can see how it's all about just bringing the stuff to life, you know, and making it as interesting as possible.

627
01:07:00.030 --> 01:07:06.400
Simon Davies: I mean, in our mind, ultimately, we'll probably wear, like, augmented reality glasses like this, and you'll be able to, like.

628
01:07:06.860 --> 01:07:07.330
Michael Hulme (Shrewsbury): Hmm.

629
01:07:07.340 --> 01:07:14.489
Simon Davies: walk down a Shropshire street and see my ancestors walking towards me, but like I say, that's all about keeping on the…

630
01:07:14.690 --> 01:07:16.490
Simon Davies: at the Vanguard.

631
01:07:16.610 --> 01:07:21.250
Simon Davies: Let me… Do something practical,

632
01:07:22.250 --> 01:07:24.840
Simon Davies: Tell you what, so I'm gonna…

633
01:07:26.160 --> 01:07:30.820
Simon Davies: I'm going to just start an archive just to give you an impression so I can get started.

634
01:07:33.040 --> 01:07:39.390
Simon Davies: And you really do want to use your family GEDCOM. To be honest, it's a bit of a waste if…

635
01:07:39.510 --> 01:07:41.030
Simon Davies: Hmm.

636
01:07:41.450 --> 01:07:42.600
Simon Davies: And…

637
01:07:43.120 --> 01:07:50.639
Simon Davies: I just need to log out because it's it's it picks me up as already logged in when I go to that. So let's go.

638
01:07:53.350 --> 01:08:08.660
Simon Davies: Yeah, because there's also a certain amount of residence to entrust your big family Gedcom straight away to some sort of service you've only just heard about. But it is the leap. It just populates everything.

639
01:08:12.060 --> 01:08:12.720
Simon Davies: Oh.

640
01:08:13.040 --> 01:08:13.750
Simon Davies: Alright.

641
01:08:16.510 --> 01:08:23.939
Simon Davies: this is a way to generate… if you put that plus on a Gmail address, it's a way to generate a completely different email, but it will still get sent to the

642
01:08:24.040 --> 01:08:28.519
Simon Davies: first bit, it'll get sent to simondmd at Gmail.

643
01:08:29.029 --> 01:08:29.979
Carys Faichney: Which is…

644
01:08:30.050 --> 01:08:31.560
Simon Davies: Brilliant for testing things.

645
01:08:31.560 --> 01:08:32.450
Carys Faichney: Hmm.

646
01:08:33.450 --> 01:08:34.829
Simon Davies: Not many people know that.

647
01:08:36.340 --> 01:08:38.170
Simon Davies: And, sign up!

648
01:08:38.620 --> 01:08:44.170
Simon Davies: Over in my… Gmail, I have been sent a code, hopefully.

649
01:08:44.979 --> 01:08:46.430
Simon Davies: I will be imminently.

650
01:08:46.720 --> 01:08:53.230
Simon Davies: Yeah, there we go. So, I could click that link, or I could copy the code. So, I've got the code…

651
01:08:53.600 --> 01:08:56.160
Simon Davies: Go back over here, put the code in, poof, poof.

652
01:08:56.939 --> 01:08:59.850
Simon Davies: How do we hear about it? Oh, word of mouth, I definitely told myself.

653
01:09:00.939 --> 01:09:14.090
Simon Davies: I could go and look at the demo archive, which actually is a lot of my Shropshire ancestry, just so I can have a play around, or I can go and create one. So I'll create one, I'll make it private, I'll import a GEDCOM, and I'm going to use Agnes Sills Starter.

654
01:09:14.550 --> 01:09:18.349
Simon Davies: And it's one of the ones we use for testing a lot. And,

655
01:09:18.779 --> 01:09:21.369
Simon Davies: It's from Agnes Sills. It's called Agnes Sills.

656
01:09:21.540 --> 01:09:23.859
Simon Davies: There's a bit of a story behind this one.

657
01:09:25.229 --> 01:09:31.060
Simon Davies: So this is not a huge jetcom. This is a bit of personal research I was doing, and I'm going to make Agnes

658
01:09:32.899 --> 01:09:35.180
Simon Davies: The center of it. It's not me.

659
01:09:35.290 --> 01:09:41.950
Simon Davies: So it's this is basically an ancestry, Gedcom. And it sucked the pictures out with it.

660
01:09:42.920 --> 01:09:47.330
Simon Davies: And so, up it goes… Who am I? I'm Simon.

661
01:09:49.149 --> 01:09:51.710
Simon Davies: Yeah, that's correct.

662
01:09:54.170 --> 01:09:55.440
Simon Davies: I don't think,

663
01:09:55.910 --> 01:10:00.959
Simon Davies: Got a username, I could change my username to something else, that's an automatic button. I'm in.

664
01:10:01.620 --> 01:10:05.309
Simon Davies: And then you'll find a… a welcome page.

665
01:10:06.010 --> 01:10:12.769
Simon Davies: which is me and some links to videos. But actually, it's for you to just delete it all and put your own welcome.

666
01:10:12.960 --> 01:10:19.890
Simon Davies: So this is what this is where, when you invite people in, this is where they'll they'll come. So you know, I can go around. I can just say, Well, I don't want that anymore.

667
01:10:20.820 --> 01:10:23.580
Simon Davies: And so on and so forth.

668
01:10:24.960 --> 01:10:25.780
Simon Davies: Publish.

669
01:10:26.610 --> 01:10:28.299
Simon Davies: So there won't be anything in here.

670
01:10:28.690 --> 01:10:31.370
Simon Davies: Apart from the tree.

671
01:10:31.640 --> 01:10:38.770
Simon Davies: This is actually a lady, this couple, I lived in the village of Great Sheffield, and they lived in this big house on the hill.

672
01:10:39.040 --> 01:10:54.740
Simon Davies: Huge, and all these grounds, and in it lived their son James and Harry, Henry, well they called him Harry, these two old creepy bachelor brothers, except one of them turns out wasn't a bachelor. They were super scary and a bit nuts.

673
01:10:55.010 --> 01:10:59.609
Simon Davies: and no one had touched the grounds for like 20 years. It was completely overgrown.

674
01:11:00.150 --> 01:11:16.900
Simon Davies: Me and my friend Rupert used to, aged sort of 10, 11, 12, we used to, like, go all over it, willy-nilly. Like, we could commando up to the back windows in the summer, because the grass was so high. I mean, they didn't care, they were just inside being mad. And in one corner, we found an air raid shelter.

675
01:11:17.040 --> 01:11:23.609
Simon Davies: like, set a World War II air raid shelter, and we dug it out and made it into our camp. And anyway, I just got fascinated with

676
01:11:24.020 --> 01:11:41.930
Simon Davies: them as a family, because she wrote this, memoir, in 1930, and it's fascinating. She came from a very upper-class family. She would be sent to Sambrits for the winter for her health, and to Egypt in the summer. It's just a brilliant book. Anyway, so I used them as my test family.

677
01:11:42.680 --> 01:11:50.010
Simon Davies: But let's let's just try and do some stuff. So I'm gonna just make an article. So you would just like type a title.

678
01:11:50.990 --> 01:11:52.090
Simon Davies: New…

679
01:11:52.620 --> 01:11:59.429
Simon Davies: And then I choose a block. So I'm going to, I don't know, I'll just do a text block. I'll just add some text.

680
01:11:59.680 --> 01:12:02.580
Simon Davies: I've got table in the text.

681
01:12:03.450 --> 01:12:04.610
Simon Davies: Hmm.

682
01:12:07.530 --> 01:12:16.040
Simon Davies: So also, there's all sorts of things I can do. I can insert a picture, or I can make an image block. I could do, like, a text image block, I could…

683
01:12:16.250 --> 01:12:24.840
Simon Davies: Look amongst the photos, say that's how I want her. So now I've got that picture in there, I can crop it, I can do all those things, and I can type, etc.

684
01:12:25.120 --> 01:12:27.880
Simon Davies: I might want to make a full-width image.

685
01:12:29.500 --> 01:12:32.110
Simon Davies: set. So let's say I've got that one.

686
01:12:32.640 --> 01:12:35.039
Simon Davies: And then I'm gonna have that one.

687
01:12:35.780 --> 01:12:40.860
Simon Davies: It's not a very high quality picture, but I can keep building like that.

688
01:12:42.250 --> 01:12:46.950
Simon Davies: and then the tree builder, which is really…

689
01:12:48.270 --> 01:12:54.289
Simon Davies: rather special. I think this is the sort of things I wanted. So let's say I wanted to map out her family.

690
01:12:54.500 --> 01:12:59.829
Simon Davies: And her father, so I go, select him, select him, select her, select him.

691
01:13:00.610 --> 01:13:02.469
Simon Davies: So then…

692
01:13:03.720 --> 01:13:09.139
Simon Davies: And then I just create that tree and I've got a tree in the article. I think it's a really helpful way of

693
01:13:10.200 --> 01:13:14.100
Simon Davies: Explaining the interrelationship of people that you might be writing about.

694
01:13:14.810 --> 01:13:16.890
Simon Davies: I could put a map in there, so…

695
01:13:17.030 --> 01:13:20.959
Simon Davies: I can either get an existing one or create a map, give it a title.

696
01:13:21.500 --> 01:13:22.739
Simon Davies: There you go.

697
01:13:24.490 --> 01:13:27.750
Simon Davies: I might go over and say, well, they were from.

698
01:13:29.520 --> 01:13:32.890
Simon Davies: And so there we go, Cambridge down here, Cambridge.

699
01:13:34.640 --> 01:13:36.170
Simon Davies: Rachel Ford.

700
01:13:36.740 --> 01:13:44.289
Simon Davies: this here, this is the house. I told you it was a big, grand house. Somebody's bought it since. It's been through several ownerships since, and they've made it.

701
01:13:44.770 --> 01:13:47.709
Simon Davies: Like a mini Versailles or something, it's a bit ridiculous, but

702
01:13:48.450 --> 01:13:51.959
Simon Davies: I can put there and go. So this is Hillstead.

703
01:13:53.270 --> 01:13:55.290
Simon Davies: where they lived.

704
01:13:56.580 --> 01:14:12.950
Simon Davies: Put some text in anywhere, but I… and I could convert it into a proper place section, but I'm not going to here, but I've now created a map, and the map is where you can do those flybys, those sort of 3D flybys you saw. So gradually, I'm building up an article.

705
01:14:13.940 --> 01:14:17.139
Simon Davies: I'm just giving you an impression of the sorts of things.

706
01:14:17.380 --> 01:14:19.559
Simon Davies: That you can do.

707
01:14:19.720 --> 01:14:24.869
Simon Davies: I think I'll go back to, my main archive…

708
01:14:26.420 --> 01:14:28.819
Simon Davies: Oh, oh no, I need to log out, don't I?

709
01:14:29.600 --> 01:14:31.120
Simon Davies: I'm a new user now.

710
01:14:42.250 --> 01:14:43.470
Simon Davies: Let me go again.

711
01:14:47.900 --> 01:14:51.459
Simon Davies: So that's back in Cambridge. I'm going… oh, right there.

712
01:14:52.210 --> 01:14:56.129
Simon Davies: I was going to show you Oliver Cromwell's head, but perhaps you don't want to see that.

713
01:14:56.540 --> 01:15:01.269
Simon Davies: I love doing places, so places are great,

714
01:15:01.990 --> 01:15:08.030
Simon Davies: and I'll show you about interlinking. This is my. My daughter's been putting all this stuff in there, which is just brilliant.

715
01:15:08.210 --> 01:15:11.530
Simon Davies: But if I go to…

716
01:15:11.970 --> 01:15:16.730
Simon Davies: the tree, and I generally use this for navigating. So let's say I go to my grandfather, we look at his places.

717
01:15:16.730 --> 01:15:17.310
Sheila Culross: Okay.

718
01:15:17.310 --> 01:15:18.240
Simon Davies: I've got…

719
01:15:18.460 --> 01:15:26.199
Simon Davies: Hope Field is where my father's born. If I go to Cornedon. So this is in this is in

720
01:15:26.900 --> 01:15:44.049
Simon Davies: Newport, Shropshire. So this is where my parent… my father grew up. My great-grand… my grandfather, rather, was a prodigious photographer. Lots of color slides, he had this box camera in the 1900s. So I have this great record, and this is my father giving his account of growing up there.

721
01:15:44.970 --> 01:15:49.239
Simon Davies: There's my dad on the right there. Lovely, cheeky chap.

722
01:15:50.130 --> 01:15:51.900
Simon Davies: He's 91, in great health.

723
01:15:52.760 --> 01:15:56.829
Simon Davies: And so this is about their life. And I went there the other day. Actually, Michael and I left

724
01:15:56.930 --> 01:16:01.470
Simon Davies: last, the last meeting, I drove to find it.

725
01:16:01.680 --> 01:16:02.220
Michael Hulme (Shrewsbury): lost.

726
01:16:02.220 --> 01:16:06.989
Simon Davies: That's the house now, it was a new build, you can see it's quite modern, so they moved, they moved there in

727
01:16:08.850 --> 01:16:14.490
Simon Davies: 37… You know, they were there during the war, they moved out, and they moved in…

728
01:16:14.830 --> 01:16:30.550
Simon Davies: By the way, you can put sources and footnotes and stuff in there. They moved in, and I've got… I can link off to an album, so the album of my grandfather's pic… these are all my grandfather's pictures of… of that place. I mean, wonderful record of their childhood, my dad's childhood.

729
01:16:32.300 --> 01:16:44.119
Simon Davies: But they moved, and so I just put a link to where they moved, so I can… you can create, sort of, trails through your information. So they moved to Hemington House in 1946. Now, this is a very lovely, grand house. It's actually been owned by…

730
01:16:44.410 --> 01:16:46.730
Simon Davies: or taken over by the military during the war.

731
01:16:47.530 --> 01:16:52.999
Simon Davies: And they rented it, I think, quite cheaply, because they were told if you, if you sort of renovate it.

732
01:16:53.280 --> 01:16:57.090
Simon Davies: Get it in order again. That would be quid pro quo.

733
01:16:58.930 --> 01:17:02.040
Simon Davies: I don't know who the actual owners were, and so they did that.

734
01:17:02.500 --> 01:17:09.829
Simon Davies: And my father always told me that a mile down the right lane was a World War II airfield.

735
01:17:10.110 --> 01:17:17.319
Simon Davies: And after this is after the war, and the wild corn was growing in between the runways, and you'd go and pick corn there for the chicken.

736
01:17:18.460 --> 01:17:24.230
Simon Davies: And they had Percy the Pig. But this is… that's the airfield.

737
01:17:25.310 --> 01:17:27.149
Simon Davies: In the… in… back in the day.

738
01:17:27.740 --> 01:17:31.600
Simon Davies: Oh, that's the airfield now. It's East Midlands National Airport.

739
01:17:31.600 --> 01:17:32.040
Michael Hulme (Shrewsbury): Oh.

740
01:17:32.040 --> 01:17:37.290
Simon Davies: So that's their house there, so he would have walked through the countryside to this.

741
01:17:37.530 --> 01:17:44.540
Simon Davies: Times change. Anyway, we knocked on the door there, and the lady let us look around, and look what we found in the garden!

742
01:17:45.430 --> 01:17:50.899
Simon Davies: That's a wooden, old, sort of, summer house type thing. This is 1946, my dad…

743
01:17:50.900 --> 01:17:51.420
Carys Faichney: was.

744
01:17:51.420 --> 01:18:06.920
Simon Davies: some school cup and his mum, and that was my dad there now, in 2024. I mean, I can't believe that still exists, even, to be honest. Yeah, and then they moved again, so I'm just plotting their life. They moved to Weybridge, this is where they lived in Weybridge, and then…

745
01:18:06.980 --> 01:18:11.820
Simon Davies: Then my grandparents retired, so then I had this house in Church Stretton.

746
01:18:12.360 --> 01:18:17.230
Simon Davies: And this is where my cousins get excited, because Joe popped in and said, I've got Grandpa's toffee pot.

747
01:18:17.510 --> 01:18:29.509
Simon Davies: And I was like, oh, I remember that, it's a grey thing, a bit like an acorn, and so she put up Grandpa's toffee pot. This is where we start to engage the, you know, the current generation, and I want to hear it. This is all us cousins.

748
01:18:29.930 --> 01:18:32.300
Simon Davies: Back in, sort of, 60s, 70s.

749
01:18:32.620 --> 01:18:34.430
Simon Davies: That's me.

750
01:18:35.070 --> 01:18:38.699
Simon Davies: So that's a lovely way of doing things.

751
01:18:39.100 --> 01:18:43.900
Simon Davies: The other thing I'm particularly keen on… Artifacts.

752
01:18:44.180 --> 01:18:48.890
Simon Davies: I'll show you some artifacts. You saw that one, This is… that's my grandfather's.

753
01:18:48.890 --> 01:18:49.220
Ann .: works.

754
01:18:49.220 --> 01:18:49.960
Simon Davies: camera.

755
01:18:50.330 --> 01:18:57.700
Simon Davies: That he he used to film the turn of the century. And my dad came to me one day and he said, Look, I've got this.

756
01:18:57.700 --> 01:18:58.270
Ann .: Yeah.

757
01:18:58.510 --> 01:19:00.510
Simon Davies: These are all these glass plate negatives.

758
01:19:00.510 --> 01:19:01.480
Carys Faichney: Hmm.

759
01:19:01.480 --> 01:19:09.710
Simon Davies: And I used an app called Photomine and my laptop as a backlight, and I developed them then, because nobody actually living had seen them.

760
01:19:10.180 --> 01:19:17.150
Simon Davies: And what was within included this. This is my great-great-grandmother, and she died in 1913.

761
01:19:17.150 --> 01:19:17.650
Michael Hulme (Shrewsbury): Oof.

762
01:19:17.650 --> 01:19:18.160
Carys Faichney: do.

763
01:19:18.160 --> 01:19:21.440
Simon Davies: These are really old. So we had this camera.

764
01:19:21.440 --> 01:19:21.850
Carys Faichney: I.

765
01:19:21.850 --> 01:19:22.710
Simon Davies: And.

766
01:19:22.930 --> 01:19:24.360
Simon Davies: I sat down with

767
01:19:24.950 --> 01:19:30.240
Simon Davies: I've got it as a artifact there. Here we go. If I look at the album of images.

768
01:19:31.520 --> 01:19:38.850
Simon Davies: that came out of it. So one was the Folly Farm that where they grew up. That's my great grandmother, who died in 1928. No one remembers her.

769
01:19:39.000 --> 01:19:41.770
Simon Davies: That's another great. This is mother and daughter.

770
01:19:42.190 --> 01:19:47.380
Simon Davies: So… So we had all these…

771
01:19:47.800 --> 01:19:50.600
Simon Davies: Images… oh, yes, I know what I was gonna say. The,

772
01:19:51.400 --> 01:19:53.250
Simon Davies: What are the images of the

773
01:19:54.800 --> 01:19:58.709
Simon Davies: Actual camera, some… oh, me, that's gonna be new.

774
01:20:01.310 --> 01:20:06.000
Simon Davies: Somewhere I have the, hmm.

775
01:20:08.820 --> 01:20:16.639
Simon Davies: No, I thought I had more photos of the actual camera, but it's all in this box full of lots of bits.

776
01:20:17.230 --> 01:20:20.370
Simon Davies: I wish I could find it for you,

777
01:20:21.870 --> 01:20:25.630
Simon Davies: Oh, hold on, be in here.

778
01:20:28.510 --> 01:20:30.399
Simon Davies: There you go. See, look at this.

779
01:20:31.030 --> 01:20:37.980
Simon Davies: box full of all his bits and pieces and his notes on exposures and all this paraphernalia.

780
01:20:38.290 --> 01:20:41.360
Simon Davies: So I sat down with my dad one night, and we put

781
01:20:41.600 --> 01:20:46.019
Simon Davies: My phone videoing on the table, and we did, like, an unboxing, you know how they…

782
01:20:46.020 --> 01:20:46.370
Michael Hulme (Shrewsbury): the.

783
01:20:46.370 --> 01:20:53.070
Simon Davies: online people, they'll unbox the latest product. So we basically sat there drinking wine and unboxing grandfather's

784
01:20:53.570 --> 01:20:59.939
Simon Davies: camera and him dad reminiscing about his dad and all his exploits in photography.

785
01:21:00.100 --> 01:21:00.610
Ann .: the.

786
01:21:01.990 --> 01:21:10.810
Simon Davies: But I could I could go on and on actually, but oh, but I would like I'm gonna show you this thing. So over at the Folly Farm, my

787
01:21:11.070 --> 01:21:14.549
Simon Davies: Grandfather found this Neolithic.

788
01:21:14.780 --> 01:21:30.429
Simon Davies: stone knife, and he I found these letters in the Shropshire archive because I just searched for my grandfather's name, and this is what came up. He had had a letter exchange with the county archaeologist. Was this Lady Lily Chitty.

789
01:21:31.380 --> 01:21:39.600
Simon Davies: You know, who had quite a reputation, because she was a woman in those days, in the senior

790
01:21:40.160 --> 01:21:42.269
Simon Davies: Job, and we had a…

791
01:21:43.460 --> 01:21:48.539
Simon Davies: an exhibition of her in the Shropshire Archive, I don't know if you saw it, Michael. No. celebrating her life.

792
01:21:48.640 --> 01:21:55.080
Simon Davies: And… My grandfather basically sent this, if I go to documents.

793
01:21:56.360 --> 01:22:16.999
Simon Davies: He sent. He had a letter exchange with her. She drew it. It says where it was found. And so this is letters between the 2 of them, and they're debating. So my grandfather was a soil scientist. So he's literally he's telling her about what the natural vegetation would have been like in the time, etc. And they're just a wonderful exchange.

794
01:22:18.090 --> 01:22:22.180
Simon Davies: And… Apparently, they used to go on picnics.

795
01:22:22.900 --> 01:22:38.010
Simon Davies: Mitchell's Fold, so I bought a print of this painting that she did of Mitchell's Fold for my dad, because he remembers going on a picnic with him. But my grandfather, he got hold of… he traced this from the Ordnance Survey map.

796
01:22:38.210 --> 01:22:40.090
Simon Davies: To mark the spot, here.

797
01:22:40.410 --> 01:22:45.159
Simon Davies: where he found it. So the Folly Farm's down here, and he found it there, up a hill.

798
01:22:45.510 --> 01:22:47.610
Simon Davies: So, what I did with our…

799
01:22:48.280 --> 01:22:57.190
Simon Davies: super-duper system, was I literally stitched his Tracing onto the Earth.

800
01:22:58.450 --> 01:23:02.509
Simon Davies: So you see how that… his drawing is now superimposed on the Earth.

801
01:23:03.630 --> 01:23:05.430
Simon Davies: I can… I can remove it.

802
01:23:06.000 --> 01:23:07.689
Simon Davies: So then I'm able to…

803
01:23:08.530 --> 01:23:09.060
Michael Hulme (Shrewsbury): Huh?

804
01:23:09.060 --> 01:23:11.230
Simon Davies: Put the spot, take it away.

805
01:23:11.570 --> 01:23:29.630
Simon Davies: That's where we found it. So at some point, I'm making a beeline for that field, see what else is there, because if you look in the letters from Lily Chitty, there was some sort of Neolithic way running through here, so you get these fines on this sort of, path, across, across, across the country.

806
01:23:30.140 --> 01:23:32.449
Simon Davies: But I think that's.

807
01:23:32.560 --> 01:23:36.909
Simon Davies: Could be enough of all that. Let me get back to… I think I've got a few, sort of, closing things.

808
01:23:37.930 --> 01:23:55.540
Simon Davies: details to go… what have I got? Oh, well, this… so there's a lovely lady, Lillian, in Australia, and bless her, she sent me this message, just saying how she's got her archive and her grandchildren are engaging with it, which is just brilliant. I mean, that just… that makes it all worthwhile, to be honest, that warms our hearts. So some questions you might have…

809
01:23:55.840 --> 01:24:05.829
Simon Davies: We're just releasing, it works, the GEDCOM updater, so one obvious question is, will I go back to Ancestry and I do more research, et cetera, et cetera? Can I update it? Yes, you can.

810
01:24:06.010 --> 01:24:15.960
Simon Davies: It's public and private, you can set it to totally private, you can release some stuff from your private, make it public, or the opposite, you can have it public and make some things private.

811
01:24:16.720 --> 01:24:27.909
Simon Davies: There are permission levels, basically, so you start it as a super admin. You… people you're inviting generally come in as, editors, or contributors, no, editor.

812
01:24:28.880 --> 01:24:40.089
Simon Davies: But you can change them, and the permissions are super admin and admin can edit anything. So you're… as long as you've got admins, they're kind of your heirs, like, they've got it.

813
01:24:40.310 --> 01:24:43.880
Simon Davies: Editors, they can only edit their own stuff.

814
01:24:44.330 --> 01:24:48.700
Simon Davies: And they can also add people to the tree.

815
01:24:50.520 --> 01:25:07.469
Simon Davies: Contributor is the same, but they can't touch the tree, because some people, want to have absolute control of the tree. And then you have viewer. So this gets used by professionals quite a bit, and what they'll do is they'll be super admin, they'll make their client super admin, and then they'll start inviting the family in straight away, so that they start…

816
01:25:07.500 --> 01:25:12.710
Simon Davies: Revealing the research to them as they go, which engages the family to help them in the research.

817
01:25:13.680 --> 01:25:25.700
Simon Davies: access… so this is really important. While you're building your archive, yeah, you pay a subscription, but if you stop paying a subscription, it just doesn't go away. You just can't edit it, basically. So, our…

818
01:25:26.030 --> 01:25:42.029
Simon Davies: absolute mission is to preserve this stuff, it's not… you know, that is the mission. And, I mean, one thing we're looking at doing is introducing ways of deriving, sort of, merchandise-type stuff, you know, photo albums, t-shirts, all sorts of playing cards, etc.

819
01:25:42.320 --> 01:25:53.200
Simon Davies: Hang on, you'll like this. This is not… this is done by me just for fun. These playing cards, like, that's my great… that's my great-grandfather. Sorry.

820
01:25:53.300 --> 01:26:03.869
Simon Davies: And every card has a… that's a… Map of somewhere, and… And they've all got

821
01:26:04.440 --> 01:26:16.959
Simon Davies: And oh, that's great, great, great, great. They've all got QR codes on them. So they open up the archive. And I printed off a load of copies and sent them to my relatives. Anyway, the point being, we reckon that —

822
01:26:17.150 --> 01:26:28.050
Simon Davies: that could be quite popular, that sort of thing, and it could actually subsidize not needing to charge for, ultimately, for the archive, but I don't know yet. We'll see. But we don't really want to have to

823
01:26:28.870 --> 01:26:32.440
Simon Davies: It needs to be kept alive, basically.

824
01:26:32.910 --> 01:26:35.270
Simon Davies: What is it? One click…

825
01:26:35.440 --> 01:26:43.810
Simon Davies: Or yeah, and obviously you can download a backup and the GEDCOM, et cetera, et cetera. And I think that's probably…

826
01:26:44.370 --> 01:26:46.640
Simon Davies: That's about it, really.

827
01:26:47.550 --> 01:27:01.760
Simon Davies: There's various resources online, there's a quite vibrant Facebook group of users, I think quite a lot of people are there watching people, seeing how vibrant it is, asking questions before they try it, maybe. There's a YouTube list of stuff, all sorts of stuff.

828
01:27:01.810 --> 01:27:13.220
Simon Davies: And generally, just if you… if you do decide to start using it, you are using it, or you're… just contact me anytime. People just contact me, and we jump on Zooms, and we plan, and…

829
01:27:14.130 --> 01:27:25.889
Simon Davies: help people generally get, because it's a very flexible platform. So there's no one way of doing anything so often. It's quite fun to have a just a pure debate about. I want to catch this or that or that.

830
01:27:26.640 --> 01:27:29.640
Simon Davies: But that's kind of it, I think.

831
01:27:30.700 --> 01:27:33.750
Simon Davies: Malcolm, have I missed anything? You've sat through this many times.

832
01:27:36.460 --> 01:27:43.499
Malcolm Austen: No, there's a lot there. And yeah, do you want to take your share down, Simon? Yeah.

833
01:27:43.680 --> 01:27:49.560
Simon Davies: I've got a little glimpse of something in the future I can show you, but I don't want that recorded. If you want to see that at the end, I'll come back to it.

834
01:27:49.560 --> 01:27:51.250
Malcolm Austen: Okay, right.

835
01:27:51.250 --> 01:27:52.209
Simon Davies: Top secret.

836
01:27:52.930 --> 01:27:55.629
Simon Davies: I want to look at your reactions.

837
01:27:55.810 --> 01:27:57.390
Malcolm Austen: Oh, right.

838
01:27:57.850 --> 01:28:01.190
Simon Davies: If you want to record questions, we can come back to it later.

839
01:28:01.470 --> 01:28:07.520
Malcolm Austen: Well, shall we… shall we just take a break for around the table to… for people to,

840
01:28:07.900 --> 01:28:10.110
Malcolm Austen: Yeah, I mean, I can see…

841
01:28:10.920 --> 01:28:26.069
Malcolm Austen: I don't know how other people… clearly, there's a lot more there than just importing your GEDCOM from Pedigree, because the one thing… but on the other hand, there's a lot… I can see a lot of advantage over, say, writing a book.

842
01:28:26.550 --> 01:28:33.350
Malcolm Austen: Of your family, which is a sort of a final, you know, you get to the point you produce the book, and that's it.

843
01:28:33.470 --> 01:28:34.780
Malcolm Austen: Where is this?

844
01:28:35.240 --> 01:28:38.549
Malcolm Austen: You can, A, get contributors, and B,

845
01:28:38.550 --> 01:28:39.100
Simon Davies: is.

846
01:28:39.100 --> 01:28:43.390
Malcolm Austen: It can evolve with time. As long as you're still going, you can update it.

847
01:28:43.680 --> 01:29:02.500
Simon Davies: Well, I mean, really, the intention here is, like, you make this thing and you set it adrift on the river of time, you know, it goes on. And some families will be better at doing that than others. But by the way, I mean, I would make a book too. In fact, we are going to make a function where you can click and generate and compile a book from it, but I just think all sorts of form factors. The one that I'm really…

848
01:29:02.760 --> 01:29:10.410
Simon Davies: keen on doing is like little pamphlets. So you might go. Oh, our ancestors during the war, and it just makes a little pamphlet coffee table pamphlet.

849
01:29:10.560 --> 01:29:21.340
Simon Davies: you know, spread those things around the family. I sort of feel like you use all tools available, but this is trying to be the place that never gets lost, basically.

850
01:29:22.140 --> 01:29:26.040
Malcolm Austen: I will, if anyone wants to for…

851
01:29:26.930 --> 01:29:31.420
Malcolm Austen: Because I don't think I… let me find… There are,

852
01:29:32.630 --> 01:29:38.470
Malcolm Austen: I will put into the chat, there are a couple of

853
01:29:39.030 --> 01:29:42.560
Malcolm Austen: trees that I uploaded and are public.

854
01:29:42.830 --> 01:29:46.580
Malcolm Austen: One is a very small Elton.

855
01:29:46.680 --> 01:29:47.920
Malcolm Austen: 55.

856
01:29:48.580 --> 01:29:52.400
Malcolm Austen: demo, and if I find the other one…

857
01:29:54.110 --> 01:29:56.569
Malcolm Austen: Oh, that's right. The other one is that…

858
01:29:57.020 --> 01:30:03.909
Malcolm Austen: Whoops, lost it. There we go. The Royal database, which is the sample

859
01:30:04.090 --> 01:30:14.739
Malcolm Austen: And you all know, I'm sure, but just for Simon, that is not a guarantee that that royalty database actually contains some errors, and somewhere there is a…

860
01:30:14.920 --> 01:30:18.090
Malcolm Austen: There is an ancient Pedigree

861
01:30:18.240 --> 01:30:21.990
Malcolm Austen: Document that encourages people to actually.

862
01:30:22.270 --> 01:30:30.109
Malcolm Austen: edit and make the corrections to it. But, you know, it's… it's, genuine import, direct imports from,

863
01:30:30.620 --> 01:30:40.240
Malcolm Austen: from Pedigree. Well, the Royal one is from a GEDCOM 4 from Pedigree. The Elton 55 is a GEDCOM 5.5 from Pedigree.

864
01:30:41.640 --> 01:30:43.160
Malcolm Austen: The.

865
01:30:43.450 --> 01:30:44.280
Malcolm Austen: Sorry?

866
01:30:44.590 --> 01:30:45.910
Michael Hulme (Shrewsbury): Super Coco.

867
01:30:46.820 --> 01:30:47.369
Michael Hulme (Shrewsbury): So, yeah.

868
01:30:47.370 --> 01:30:56.180
Malcolm Austen: They're they're both public. We have actually imported a couple of Davids trees.

869
01:30:56.490 --> 01:31:12.129
Malcolm Austen: Just experimentally, and they… they're rather larger, and it's imported very successfully. Of course, if you just import from there, you don't get all the pictures and things with it, which is… A lot of what it's about, is it not, Simon?

870
01:31:12.130 --> 01:31:15.480
Simon Davies: Yeah, so in the next,

871
01:31:15.990 --> 01:31:20.460
Simon Davies: Well, I'll show you in a minute when we stop recording, but… Right.

872
01:31:21.020 --> 01:31:24.710
Simon Davies: Basically, you… you… it will suck up all your photos as well, can't it?

873
01:31:24.710 --> 01:31:33.379
Malcolm Austen: Right, okay, right, we'll cut… so, I mean, one of the questions… one… certainly, the updater is something

874
01:31:33.620 --> 01:31:38.299
Malcolm Austen: The… it's a good thing, because clearly, if you've imported

875
01:31:38.530 --> 01:31:48.320
Malcolm Austen: a basic GEDCOM, and then put a load of work into adding pictures and things to it. You want to be able to update it without actually having to.

876
01:31:49.050 --> 01:32:02.989
Malcolm Austen: scrap it and start again with the updated GEDCOM. But one thing that maybe do shut me up if this overlaps too much with what you're saying is to whether you have plans to import a GEDZIP file.

877
01:32:04.240 --> 01:32:06.349
Simon Davies: Yes, in fact, that came up.

878
01:32:06.510 --> 01:32:14.150
Simon Davies: this week, actually, which is yes, we can. I my. because basically, it's a Gedcom with the images. Right?

879
01:32:14.450 --> 01:32:19.880
Malcolm Austen: Yes, yes, I mean, I tried it, and of course, the first thing that,

880
01:32:20.020 --> 01:32:30.250
Malcolm Austen: we are.xyz said was that it didn't recognize the JEDZIP file as something it could import, but obviously, once you know what to do.

881
01:32:30.430 --> 01:32:46.010
Malcolm Austen: Pedigree won't, or Pedigree won't produce a GEDZIP, but I know that Family Tree may, sorry, Family Historian can export a GEDZIP, which is basically a GEDCOM file with all the associated images wrapped into it.

882
01:32:46.420 --> 01:32:47.020
Malcolm Austen: Unlikely.

883
01:32:47.020 --> 01:32:48.969
Simon Davies: Ancestry who don't give you images.

884
01:32:49.720 --> 01:33:02.520
Malcolm Austen: Well, yes, there are ways if you have several. None of these programs do everything, which is a common problem. I have a question in terms of the permissions.

885
01:33:02.770 --> 01:33:04.490
Malcolm Austen: That you can grant.

886
01:33:04.690 --> 01:33:05.410
Malcolm Austen: Umm.

887
01:33:05.780 --> 01:33:13.599
Malcolm Austen: Is it possible to provide, have a setting… if you have a… a private tree.

888
01:33:14.850 --> 01:33:18.259
Malcolm Austen: The lowest setting is Viewer.

889
01:33:20.130 --> 01:33:32.319
Malcolm Austen: Which allows you to see all the living people in it. Is it possible to have a public tree… a private tree in which you grant someone permission to see only the non-living people?

890
01:33:33.470 --> 01:33:34.840
Simon Davies: It's…

891
01:33:34.840 --> 01:33:35.180
Malcolm Austen: adjust.

892
01:33:35.180 --> 01:33:38.990
Simon Davies: Well, as in, we could make it, but it doesn't at the moment, certainly.

893
01:33:39.090 --> 01:33:43.390
Malcolm Austen: Oh, I don't… I just thought something that there might be.

894
01:33:45.030 --> 01:33:47.169
Malcolm Austen: There might be a wish for that.

895
01:33:47.170 --> 01:33:47.710
Simon Davies: free.

896
01:33:47.840 --> 01:33:48.700
Malcolm Austen: For your wiki.

897
01:33:48.700 --> 01:33:50.430
Simon Davies: Uncle, who you don't trust.

898
01:33:50.790 --> 01:33:56.069
Malcolm Austen: We've put, I put David's experimental import up as a private tree.

899
01:33:56.440 --> 01:34:01.020
Malcolm Austen: For which I've given David access. But if someone else.

900
01:34:01.640 --> 01:34:08.680
Malcolm Austen: Among, say, among us at the moment, wanted to have a look at it, we might want to give them access to view it without.

901
01:34:09.660 --> 01:34:11.189
Malcolm Austen: Seeing the living people.

902
01:34:11.360 --> 01:34:12.030
Malcolm Austen: No.

903
01:34:12.860 --> 01:34:13.920
Simon Davies: Yeah, okay.

904
01:34:13.920 --> 01:34:20.700
sheila jelley: That mean if you put a tree up there with all your living people, you'd have to ask their permission to…

905
01:34:21.620 --> 01:34:23.160
sheila jelley: 3. Yeah.

906
01:34:25.170 --> 01:34:29.979
David Sears: Yeah, this sounds like it's different to ancestry that automatically blocks living people.

907
01:34:29.980 --> 01:34:31.970
Carys Faichney: Well, I'm so sorry.

908
01:34:31.970 --> 01:34:35.830
Malcolm Austen: Private tree. Talking about a private tree here, not a public tree.

909
01:34:35.830 --> 01:34:39.270
sheila jelley: They can make a private tree on this summit.

910
01:34:39.270 --> 01:34:40.709
Simon Davies: Oh, yes, yes. Oh, yes.

911
01:34:40.710 --> 01:34:41.260
Malcolm Austen: Yes.

912
01:34:41.560 --> 01:34:44.660
Simon Davies: Oh, and even when the trees are public, it doesn't show living people.

913
01:34:45.330 --> 01:34:45.870
Malcolm Austen: No.

914
01:34:46.170 --> 01:34:55.839
Malcolm Austen: I mean, if it's public, you don't see the living people, but if it's private, there isn't a means to give someone access without sight of the living people.

915
01:34:56.730 --> 01:35:00.739
Malcolm Austen: As it stands, I think, which might be worth something to consider.

916
01:35:02.250 --> 01:35:04.499
Simon Davies: Yeah, I mean, I didn't even talk to you. You're the.

917
01:35:04.500 --> 01:35:09.049
Malcolm Austen: I'll submit it. I'll submit it sometimes. Yes. Anyway.

918
01:35:09.050 --> 01:35:11.199
Simon Davies: My to-do list.

919
01:35:11.200 --> 01:35:13.979
Malcolm Austen: Right. I've added a few bits to it already.

920
01:35:13.980 --> 01:35:16.549
Simon Davies: Oh, you have.

921
01:35:16.550 --> 01:35:17.450
Carys Faichney: So what?

922
01:35:17.450 --> 01:35:21.000
sheila jelley: 5 that we cannot… Load.

923
01:35:21.000 --> 01:35:21.600
Simon Davies: I'm sorry?

924
01:35:21.600 --> 01:35:22.289
Malcolm Austen: Sorry, yeah.

925
01:35:22.290 --> 01:35:24.310
sheila jelley: Pidcom 5.5.

926
01:35:24.670 --> 01:35:28.990
Malcolm Austen: The Elton 55 is a GEDCOM 5.5 import.

927
01:35:31.250 --> 01:35:38.339
sheila jelley: Yes, 40 years ago, I was searching my watkuses in London, and you remember that

928
01:35:38.460 --> 01:35:41.789
sheila jelley: Directory we used to have back in those days.

929
01:35:41.930 --> 01:35:47.120
sheila jelley: And I wrote to this gentleman in Canada, and he said, all Watkuses come from Shropshire.

930
01:35:47.750 --> 01:35:48.560
Malcolm Austen: the.

931
01:35:48.830 --> 01:35:49.430
Simon Davies: do.

932
01:35:49.430 --> 01:35:51.820
sheila jelley: But I was stuck in London. Yeah.

933
01:35:51.820 --> 01:35:53.100
Malcolm Austen: So.

934
01:35:55.920 --> 01:35:57.620
sheila jelley: I'll look into doing it.

935
01:35:58.050 --> 01:35:58.860
Malcolm Austen: Hmm.

936
01:35:59.680 --> 01:36:12.130
Carys Faichney: Tell me if you upload well from well, upload from an ancestry tree, ancestry marks private people who are thought still to be living.

937
01:36:12.410 --> 01:36:20.140
Carys Faichney: But actually, we know that once you've got deceased parents and deceased siblings, they're not actually private at all, because most of us

938
01:36:20.210 --> 01:36:38.529
Carys Faichney: have got the knowledge to find out who they are. So, before I upload to Ancestry, I spend hours and hours actually removing from that version anyone who's living, so that they don't actually appear on Ancestry, and therefore aren't traceable. Which version do you actually just hide people who are living?

939
01:36:39.330 --> 01:36:44.379
Carys Faichney: Or do you actually sort of not make them visible at all? Or do you make them visible in?

940
01:36:44.380 --> 01:36:45.029
Simon Davies: Well, I mean…

941
01:36:45.030 --> 01:36:47.070
Carys Faichney: and form like Ancestry does.

942
01:36:47.070 --> 01:36:48.840
Simon Davies: I can see it in,

943
01:36:49.600 --> 01:36:53.900
Simon Davies: Malcolm's… Malcolm's just uploaded this, so they're hidden.

944
01:36:53.900 --> 01:36:57.289
Carys Faichney: Right. But if you've got a sibling who's…

945
01:36:57.290 --> 01:37:14.139
Carys Faichney: You know, for example, you know, do you… do you have a tree where you incorrectly mark that your sibling is still alive so they don't appear? Or do you want to, you know, have one sibling amongst a number who is deceased, and therefore you can trace the parents, the family, the, you know, all sorts of other people?

946
01:37:14.660 --> 01:37:22.620
Simon Davies: I think I'm… Well, hold on a second, let me just get back in… Where's my one?

947
01:37:25.610 --> 01:37:27.920
Simon Davies: So, I think, so here…

948
01:37:28.090 --> 01:37:35.739
Simon Davies: So my uncle and aunts, they're dead, and my parents are alive, is that what you mean?

949
01:37:35.740 --> 01:37:44.990
Carys Faichney: Yeah. So I mean, so if I look up, who is it? Morley Davies and and your that that generation, I can then find

950
01:37:45.400 --> 01:37:52.499
Carys Faichney: Probably from their names and their birth records, I could probably find who the two are that are blurred out but still alive.

951
01:37:52.670 --> 01:37:53.550
Simon Davies: Yeah.

952
01:37:53.550 --> 01:37:55.359
Carys Faichney: And you can trace down and, you know…

953
01:37:55.540 --> 01:38:07.480
Carys Faichney: We sort of find you and, and marriage siblings and what potentially find a large number of, well, number of living people there, which has its uses and it's quite interesting, but.

954
01:38:07.950 --> 01:38:09.759
Simon Davies: I mean, I don't think there's any way to stop that, really.

955
01:38:09.760 --> 01:38:11.900
Carys Faichney: No, that's what I thought, yeah.

956
01:38:12.250 --> 01:38:15.220
Simon Davies: But, I mean, personally, I don't think I'm that interesting, so…

957
01:38:17.050 --> 01:38:19.659
Carys Faichney: Oh, it's for nosy people like me, you know, I'm just…

958
01:38:19.660 --> 01:38:20.530
Simon Davies: Ha ha ha!

959
01:38:20.530 --> 01:38:22.510
Carys Faichney: I mean.

960
01:38:22.510 --> 01:38:24.090
Simon Davies: I know it's possible, because I've, like, had.

961
01:38:24.090 --> 01:38:24.740
Carys Faichney: Yeah.

962
01:38:24.970 --> 01:38:25.720
Carys Faichney: Well, also.

963
01:38:25.720 --> 01:38:37.919
Simon Davies: I'll go and get a second. I want to find out like some line in calendar where there's a really fascinating turn of the century story going on and you're wanting to track the living people. So you know it's possible because you do track them. Yes, exactly.

964
01:38:37.920 --> 01:38:39.140
Carys Faichney: Exactly!

965
01:38:39.140 --> 01:38:39.700
sheila jelley: Hmm.

966
01:38:40.230 --> 01:38:41.990
Carys Faichney: Yes, yes.

967
01:38:41.990 --> 01:38:44.160
Simon Davies: I didn't show you the facts.

968
01:38:44.160 --> 01:38:49.679
Carys Faichney: We all know how to do it, but I think on ancestry, I'm thinking, I don't want to, I don't.

969
01:38:50.220 --> 01:38:54.120
Carys Faichney: I don't want, potentially, to expose those… those details.

970
01:38:54.740 --> 01:38:58.289
Carys Faichney: But anyway, but it's quite a lot of work not to.

971
01:38:58.470 --> 01:39:00.430
Simon Davies: Well, it must be flashing us a huge amount of work, isn't it?

972
01:39:00.430 --> 01:39:01.260
Carys Faichney: Yes.

973
01:39:01.490 --> 01:39:03.690
Carys Faichney: There's always somebody that creeps through.

974
01:39:04.630 --> 01:39:09.859
Carys Faichney: Anyway, fascinating. That's really comprehensive, and there's so much to it.

975
01:39:09.860 --> 01:39:10.310
Simon Davies: So thanks.

976
01:39:10.310 --> 01:39:15.930
Carys Faichney: I spent hours doing that. I'd have to wait until I've got hours to spend on it.

977
01:39:15.930 --> 01:39:16.750
Simon Davies: the.

978
01:39:16.750 --> 01:39:19.230
sheila jelley: Wait, Carys, it won't come.

979
01:39:19.230 --> 01:39:23.540
Simon Davies: And the important thing is not to treat it like a thing to be finished or not.

980
01:39:24.400 --> 01:39:32.909
Simon Davies: It's… it's a work… it's… it's literally a place to go and enjoy your family history, rather than… so… and you can do things like… I'll show you.

981
01:39:34.140 --> 01:39:44.539
Simon Davies: if I go to the Riley family, so the Riley family, well, first of all, my great… so, first of all, my grandfather, so his profile, I've had great fun researching his life.

982
01:39:44.800 --> 01:39:49.960
Simon Davies: He went to a school I could not find it anywhere, Bourne College.

983
01:39:50.470 --> 01:39:58.359
Simon Davies: And then I discovered why, because it's currently under the M5. But the point I'm going to make is I think it's still like that.

984
01:39:59.800 --> 01:40:14.459
Simon Davies: I'm finished. So I just put work in progress. Because, you know, if I'm gone, the person like us in the future, we're kind of ruining their fun. Because they get, we should have a mode where you jumble it all up again, so they can do the research.

985
01:40:14.500 --> 01:40:23.169
Simon Davies: But it's like, it's not about making a finished, polished thing, it's about leaving the traces. And if I go to Riley…

986
01:40:23.290 --> 01:40:29.030
Simon Davies: So with my 4th cousin, who we discovered each other, who's a bit like a sister now lives in Blackpool. Wonderful, wonderful.

987
01:40:29.200 --> 01:40:34.740
Simon Davies: We both did a project together about tracing ourselves back to Ireland.

988
01:40:34.930 --> 01:40:40.240
Simon Davies: And we did it. It was a real paper trail.

989
01:40:40.770 --> 01:40:46.840
Simon Davies: I won't go through the logic now, but there was a complete false path with some identical names, for example.

990
01:40:47.260 --> 01:40:49.069
Simon Davies: We had to contend with

991
01:40:49.370 --> 01:40:59.109
Simon Davies: water damage in Manchester to the census records, but fortunately find my pastor seemed to think that they could read them, and this was…

992
01:40:59.590 --> 01:41:05.639
Simon Davies: And so we put together, and we did actually find some parish records in Ireland that linked the…

993
01:41:05.740 --> 01:41:23.889
Simon Davies: gave us our best theory, and Bartholomew was a recurring name, that was a big clue. We did age assessments, because that made an issue. One of them might have been 16, but that 1841 census was blasphemous. They rounded you to the nearest 5 years. So, you know, all these sort of things.

994
01:41:23.890 --> 01:41:44.870
Simon Davies: And a geographic assessment, two born there, lived there, kids. And then we just let… well, the questions we have now are, the sources that we… excuse me, we used are here, and it's just left there. Someone in the future can pick it up. So it's not about finishing some polished thing. In many ways, it's completely the opposite.

995
01:41:44.870 --> 01:41:51.789
Simon Davies: I think you just start with something you're on, but I will show you an easier way when we stop recording.

996
01:41:52.150 --> 01:41:53.210
Malcolm Austen: Right.

997
01:41:53.210 --> 01:41:58.019
Carys Faichney: And on you and your website actually continuing to exist.

998
01:41:58.130 --> 01:42:03.819
Carys Faichney: And there's tons of data you're storing there. I mean, potentially a huge amount.

999
01:42:03.820 --> 01:42:06.629
Simon Davies: Which you can back up, by the way, so…

1000
01:42:06.630 --> 01:42:10.220
Carys Faichney: When you back it up, what's the format of the backup? Does it include.

1001
01:42:10.220 --> 01:42:20.319
Simon Davies: It makes all the articles into PDFs. It gives you a JPO file, gives you all your images, and we store the images in an original format with the metadata intact, so you can access the metadata.

1002
01:42:20.620 --> 01:42:25.819
Simon Davies: We just use a reduced file size for the web page just to make it run more.

1003
01:42:25.820 --> 01:42:29.190
Carys Faichney: Oh, wow. Impressive. It's superb.

1004
01:42:29.760 --> 01:42:31.530
Simon Davies: Malcolm, can I…

1005
01:42:31.530 --> 01:42:42.119
Malcolm Austen: Yeah, can I ask you a question while you have that displaying? Because I know I've asked this before, but your fuzzing on there is actually a special that you have.

1006
01:42:42.490 --> 01:42:45.730
Simon Davies: Yes, that's…

1007
01:42:46.290 --> 01:42:53.640
Malcolm Austen: Is the… I mean, is there… I don't know whether there's a preference between just saying hidden or.

1008
01:42:53.640 --> 01:42:54.050
Carys Faichney: I.

1009
01:42:54.050 --> 01:42:54.780
Malcolm Austen: suppose.

1010
01:42:54.780 --> 01:43:00.879
Simon Davies: Oh, no, I want… actually, I want to do this for everyone. The reason we haven't yet is because

1011
01:43:01.330 --> 01:43:15.059
Simon Davies: Technically, that… done… done as it's done here, it's a vulnerability, so you're putting… you're putting a mask on top of the actual image, and any hacker worth their salt would be able to sift through the…

1012
01:43:15.060 --> 01:43:23.190
Simon Davies: the HTML and get to it. So what we need to do is we need to make a compositor where that is the actual image, not

1013
01:43:23.190 --> 01:43:29.089
Simon Davies: Right. And when we've done that, it's just priorities. When we've done that, that'd be so much nicer than hidden. Hidden's ugly.

1014
01:43:29.090 --> 01:43:39.130
Malcolm Austen: It does not, although, to be fair, that even if it didn't have the dark blue highlighter on it, I think I could look along that line and work out which one is you.

1015
01:43:39.420 --> 01:43:40.290
Simon Davies: the.

1016
01:43:40.290 --> 01:43:42.420
Malcolm Austen: It's fine.

1017
01:43:42.420 --> 01:43:44.639
Simon Davies: my Roman nose.

1018
01:43:44.640 --> 01:43:54.879
Malcolm Austen: But yes, okay, technicalities, yes. Okay, right, well, thank you very much, Simon. There is a question from Anne.

1019
01:43:55.000 --> 01:43:58.060
Malcolm Austen: Which is a one-name study.

1020
01:44:00.560 --> 01:44:02.410
Malcolm Austen: aspect.

1021
01:44:02.970 --> 01:44:16.130
Malcolm Austen: I mean, one name study… when you create a new archive, one… one… a one-place study is something specific, a one-name study, yeah, you can have lots of separate

1022
01:44:16.340 --> 01:44:18.570
Malcolm Austen: Unconnected people in there.

1023
01:44:18.700 --> 01:44:19.280
Malcolm Austen: You can.

1024
01:44:19.280 --> 01:44:27.919
Simon Davies: But although we are going to make a variant specifically for one-name studies, because the real challenge with one-name studies is to expose the branches.

1025
01:44:28.840 --> 01:44:41.670
Simon Davies: Where they're not connected, and a family archive, as you see here, relies on a central person, and therefore, if you've got disconnected lines, you won't see them. Like, in here, I have…

1026
01:44:42.910 --> 01:44:50.489
Simon Davies: I'll go to the navigator. I think there's a… how many… Samuel… I think it's this guy.

1027
01:44:52.170 --> 01:44:59.410
Simon Davies: So these, these, these Walmsleys here… Yeah, see, they're totally isolated.

1028
01:44:59.850 --> 01:45:07.480
Simon Davies: I can go up there, but that's the end of the light. So they don't connect into my track. I just know that I'm related to them.

1029
01:45:07.640 --> 01:45:08.360
Simon Davies: Okay.

1030
01:45:08.500 --> 01:45:15.069
Simon Davies: And I've got them there. They're in Australia. I did. I just came across this. I think DNA showed that.

1031
01:45:15.230 --> 01:45:32.630
Simon Davies: I was linked to these people, so I researched them, and one of them, there was, like, he was accused of murdering his wife, so they were particularly interesting. So I built out their tree, and I'm just waiting for the day when I can join them. I just haven't managed to join them yet. But if this was a one-name study, I'd want to be able to

1032
01:45:32.740 --> 01:45:36.249
Simon Davies: Index all the branches, whether they've connected yet or not.

1033
01:45:36.820 --> 01:45:37.450
Malcolm Austen: Hmm.

1034
01:45:37.710 --> 01:45:41.150
Simon Davies: But we will do… I mean, all the data's there, it's just a display.

1035
01:45:41.380 --> 01:45:43.160
Simon Davies: and Change.

1036
01:45:44.040 --> 01:45:50.509
Malcolm Austen: Well, thank you, Simon. That was a, oh, well, your enthusiasm certainly comes over.

1037
01:45:50.510 --> 01:45:53.709
Simon Davies: Can I show you my new thing? I want to see the reaction. Can we stop recording?

1038
01:45:54.030 --> 01:45:55.090
Malcolm Austen: Let me,

1039
01:45:55.090 --> 01:45:55.610
sheila jelley: Malcolm.

1040
01:45:55.610 --> 01:45:57.349
Malcolm Austen: Stop the recording.

